Showing posts with label BlackGrace. Show all posts
Showing posts with label BlackGrace. Show all posts

Monday, February 11, 2013

Pgh Dance Council Presents Black Grace


FOR IMMEDIATE RELEASE
Today's date: February 5, 2013
Contact: Diana Roth, (412) 471-8717; roth@trustarts.org


Pittsburgh Dance Council presents Black Grace

8:00 p.m., Saturday, March 2, 2013, Byham Theater

Pittsburgh, PA:  Pittsburgh Dance Council, a division of the Pittsburgh Cultural Trust, presents New Zealand dance company, Black Grace, under the direction of choreographer and founder Neil Ieremia, on Saturday, March 2, 2013, at 8:00 p.m., at the Byham Theater.  Black Grace will present several works on this tour including Pati Pati, Objects and Amata. The program also includes a piece from Ieremia’s new full length work, VVaka*.

 Neil Ieremia grew up studying dance, which was not the preferred subject of boys in a society that favored athleticism as masculinity. He pursued his dreams and graduated from Auckland Performing Arts School in New Zealand. There he learned various styles of dance as well as a sense of which genres were more challenging for his Samoan build, like ballet. After working under some of New Zealand’s top choreographers, Ieremia created his own all-male dance company, Black Grace, in 1995.   As the name alludes, the company showcases unique works where dancers combine elements of sleek hard presence and remarkable elegance.

Ieremia’s unique choreography blends traditional Samoan dance with modern and classical dance forms and paints a picture of his cultural values and personal history.  Neil comments, “I build simple movements into phrases and patterns that I can then communicate to the company. Dance is intuitive, but it’s organized intuition. The movements make sense to me, and I have to trust that they’ll connect with the company, and that together, we can make it connect with audiences.”

Over the past seventeen years, Ieremia has gathered inspirations from his culture and traditions to create choreography that focuses on traditions of the Pacific Islands.  For example, with the Samoan tradition of tatau (tattoo, body art), where the skin and mark are one, Ieremia compares the dancers and the space in which they dance. “Sometimes the thing that interests me is the space between the dancers rather than the dancers themselves,” says Neil.

Photo by Duncan Cole

High energy movements, clapping, singing, chanting, and graceful dance are used by Ieremia in his work that uniquely contrasts, as well as closes the gap, between past and present dance heritage. “In a memorable performance, the thrilling and brilliantly executed New Zealand company,” the Broad Street Review exclaimed, “Black Grace integrated many aspects of modern dance with Samoan and South Pacific indigenous dance forms. The result was no cut-and-paste assemblage, but a new art form.”

Recognized by the Arts Foundation of New Zealand, Ieremia is the recipient of the Laureate Award (2005) for outstanding creative achievements and contributions to dance.  In 2009, Ieremia was honored with a Resolution from the Government of Guam for his choreographic works; and that same year received the Paul D. Fleck Fellowship in the Arts Award from The Banff Centre in Canada. In honor of Iermia’s work that celebrates Pacific dance heritage, Hawaii’s capital city, Honolulu, named February 6 (2010) as Black Grace Day.

*About Vaka:  In the native language of the Maori people, vaka means canoe. Ieremia’s choreography of the same name is based on a famous painting The Arrival of the Moaris in New Zealand (1898) by artists Louis J. Steele and Charles F. Goldie.  The artwork represents the hardships faced by the Maori people on an immigration voyage.  Ieremia’s work is based on navigation and migration, and their impacts, both personally and culturally, on a society.

Each year the Pittsburgh Dance Council, a division of The Pittsburgh Cultural Trust, showcases a world-class season of dance. As the largest presenter of international performances in the city, the Dance Council continues to help make our Cultural District one of the country’s leading arts and entertainment centers.

Tickets ($19-$48) may be purchased at the Box Office at Theater Square, 655 Penn Avenue, online at www.trustarts.org, or by calling (412) 456-6666.  For subscriptions to Pittsburgh Dance Council, please call (412) 456-1390 or subscribe online at www.trustarts.org/dance. Pittsburgh Dance Council’s media partner is Essential Public Radio 90.5FM.

Posted on behalf of Dreamweaver Marketing Associates.  Joyce Kane is the owner of Cybertary Pittsburgh, a Virtual Administrative support company, providing virtual office support, personal and executive assistance, creative design services and light bookkeeping.  Cybertary works with businesses and busy individuals to help them work 'on' their business rather than 'in' their business.  www.Cybertary.com/Pittsburgh



Monday, April 30, 2012

Contemporary Dance Enlivens Dance Council Upcoming Season


FOR RELEASE: Sunday, April 29, 2012
Contact: Diana Roth, roth@trustart.org

Pittsburgh Dance Council 2012/2013 Season

An exceptional lineup of world-class contemporary dance

The Pittsburgh Dance Council, a division of Pittsburgh Cultural Trust, announces a diverse representation of the best in contemporary dance for 2012-2013. The season combines the work of iconic choreographer Mark Morris with the rising talent of Pittsburgh native Kyle Abraham; the levity of the legendary Les Ballets Trockadero de Monte Carlo with the gravity of Akram Khan’s stunning full-length work Vertical Road; the ground-breaking action of STREB with the traditional cultural influences present in the work of New Zealand’s indigenous dance company Black Grace.

“What I’m really excited about this season is the breadth and depth of expressions that are communicated through dance,” said Executive Director Paul J. Organisak. “The season reflects a balanced mixture that offers audiences an eclectic and engaging glimpse into the vast range of contemporary dance.”

The Pittsburgh Dance Council 2012-2013 Season Line-up:

Photography by Tom Caravaglia

STREB: FORCES
Friday, September 28, 2012
Saturday, September 29, 2012
8 p.m.
Byham Theater
A thrilling, heart-stopping investigation of action, STREB: FORCES  boldly explores a range of motions, from everyday movements to the extreme action of sports, the circus and adventure rides.  Inventor and architect of eccentric action, Elizabeth Streb orchestrates an athletic cadre of daring theater specialists, taking audiences on a wild ride into mechanically outrageous zones and configurations. Gravity be damned. Fasten your safety belts. "By exploring the frontiers of performance space, and creating works that reflect the spirit of our technological age, Ms. Streb is carrying dance into a new dimension." -The New York Times
streb.org

Vertical Road by Laurent Ziegler

Akram Khan Company Vertical Road
Saturday, October 20, 2012
8 p.m.
Byham Theater
British-born Bangladeshi choreographer Akram Khan is celebrated internationally for the vitality he brings to intercultural dance expressions. Khan’s stunning full-length work Vertical Road is a rare feast for the senses—design, lighting, music and dance combine in a rich glow of art. Vertical Road is a meditation on the journey from gravity to grace, drawing inspiration from the Sufi tradition and the words of beloved Persian poet and philosopher Rumi. "Akram Khan is a true choreographer...someone who asks what it is to be human and provides the answers in dance." -The London Evening Standard
akramkhancompany.net

Photography by Ian Douglas
Kyle Abraham/Abraham.In.Motion
Boyz n the Hood: Pavement
Saturday, February 16, 2013
8pm
Byham Theater
Like August Wilson, Kyle Abraham draws heavily from his experiences growing up African American in Pittsburgh to create personal and culturally-referenced works. The New York Times has described Kyle Abraham’s work as “an intriguing mix of breaking and Chaplinesque pathos.” The evening's full-length performance pairs classic essays from W.E.B. Du Bois’ The Souls of Black Folk and John Singleton’s 1991 film, Boyz n the Hood with an operatic score layered with a brash urban landscape. “Kyle Abraham is the biggest choreographic force coming out of Pittsburgh and has taken a prominent place as a must-see choreographer on the New York scene.” - Jane Vranish, Pittsburgh Post-Gazette
abrahaminmotion.org
Photography by Duncan Cole

Black Grace
Saturday, March 2, 2013
8 p.m.
Byham Theater
Samoan culture informs and shapes New Zealand’s most accomplished choreographer Neil Ieremia, fueling his artistry with organic exuberance.  Black Grace manifests the rhythms, spirit and energy of Pacific heritage with outstanding works from the company’s 17-year history.
The performance includes excerpts from Minoi, Pati Pati, Objects and Amata—plus a glimpse fromWaka, a fascinating new work inspired by the 1898 painting The Arrival of the Maoris. In the Samoan tradition of tatau (tattoo, body art), Black Grace will make an indelible impression. “A polished, pungent, bone-crunching physical and perfectly executed alchemy of music, muscle and motion.” - New Zealand Herald
blackgrace.co.nz

Photography by Sascha Vaughn
Les Ballets Trockadero de Monte Carlo
Friday, April 5, 2013
8 p.m.
Byham Theater
For more than 35 years, New York’s legendary all-male dance company “Keeps on Trockin” by playfully bringing the pleasures of dance to the widest possible audience.  Through its skillful parodies of ballet classics and modern dance,  the Trocks’ comedic brilliance lies in incorporating and exaggerating the foibles, incongruities, accidents and underlying congruities of serious dance. “Whenever I leave a Trocks’ show I'm always, always, happy. I can't say this of any other company. What thrills me is the cleverness and subtlety of their observations and the sheer technical dedication of all involved. The Trocks know their stuff.” - Ballet Magazine
trockadero.org

Photography by Brian Snyder

Mark Morris Dance Group
Saturday, May 4, 2013
8 p.m.
Byham Theater
Endlessly inventive and masterful, Mark Morris ranks among the world’s greatest choreographers. Described as “undeviating in his devotion to music,” Mark Morris has made live musical accompaniment the gold standard in modern dance.  For more than three decades, the Mark Morris Dance Group has been wowing the world over with outstanding works that dutifully exude Mark Morris’ prolificacy, passion and artistic conviction. “That Mr. Morris reveals his musical sophistication through barefoot modern dancing is what gives his choreography such primal elegance. Whether the effect is joyful, bombastic or as quiet as can be, the connective tissue is rhythm. He finds ways to make bodies sing all the notes, not just the high ones.” - The New York Times
markmorrisdancegroup.org

Subscription Information
Subscription packages for the Pittsburgh Dance Council’ six-show series are available for: $96-$240. To subscribe, call 412-456-1390; groups of 10 or more tickets, call 412-471-6930. Single tickets for Pittsburgh Dance Council performances will go on sale to the general public in mid-August.

About The Pittsburgh Dance Council
The Pittsburgh Dance Council joined Pittsburgh Cultural Trust as a programming division 2002. The mission of Pittsburgh Dance Council is to bring the best contemporary dance companies from around the world to the Cultural District. Each season, Pittsburgh Dance Council presents diverse, world-class contemporary works, including U.S. and world premieres.
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Posted on behalf of Dreamweaver Marketing Associates.  Joyce Kane is the owner of Cybertary Pittsburgh, a Virtual Administrative support company, providing virtual office support, personal and executive assistance, creative design services and light bookkeeping.  Cybertary works with businesses and busy individuals to help them work 'on' their business rather than 'in' their business.  www.Cybertary.com/Pittsburgh