Showing posts with label PNCFoundation. Show all posts
Showing posts with label PNCFoundation. Show all posts

Tuesday, October 30, 2012

WQED Awarded Major Grants



WQED RECEIVES MAJOR GRANTS FROM PNC FOUNDATION AND HEINZ ENDOWMENTS

Funding will support August Wilson documentary to air on PBS


PITTSBURGH – WQED Multimedia has been awarded major grants from the PNC Foundation to support production and educational outreach and from The Heinz Endowments to support production of a national documentary on the life and work of Pittsburgh native and Pulitzer Prize-winning playwright August Wilson.

August Wilson: The Ground On Which I Stand will be a 90-minute high-definition television documentary and the first in-depth exploration of the life, work and cultural impact of the two-time Pulitzer Prize-winning African American playwright and Pittsburgh native (1945 – 2005). The program will be a co-production of WQED and the PBS series American Masters and will air in late 2014.



PNC Foundation and The Heinz Endowments join the National Endowment for the Humanities (NEH) in supporting this major national documentary.

“WQED has successfully reflected the American experience through its documentaries,” said Eva Blum, president and chair of the PNC Foundation. “We welcome the opportunity to work with them again as they explore the life of August Wilson and his dramatic depiction of African American heritage.”

Janet Sarbaugh, the Endowments’ senior program director for Arts & Culture, noted that the vital setting of Pittsburgh for all of Wilson’s plays also should be reflected in the production of his life story. “August Wilson once wrote ‘I left Pittsburgh but Pittsburgh never left me,’ We all share great pride that Pittsburgh was home to this treasured American artist, ” Sarbaugh said, “and it is fitting that his hometown provides support for his story to be told.”

“This documentary will be the definitive story of the most prolific playwright of the last half of the 20th century,” said Deborah L. Acklin, president and chief executive officer of WQED.

“We are deeply honored that two Pittsburgh foundations, PNC Foundation and The Heinz Endowments, will be a major part of this project. PNC has partnered with WQED in the past to promote projects that educate and enlighten children and families, and this documentary will expand that educational initiative to the entire country. The Heinz Endowments have provided major support to WQED for many years will support production of the documentary. ”

August Wilson was a Pittsburgh native who grew up in the Hill District. From the 1980s into the first decade of the 21st century, he was the most produced playwright both on Broadway and in regional theaters, creating his unprecedented ten-play Century Cycle, all but one of which take place in Pittsburgh. The series chronicles the economic, historical, social, and spiritual life of African Americans through each decade of the 20th century.

“This is the story not only of one man, but also of his success in putting the lives of ordinary, yet complex people on the national stage. It is a quintessential Pittsburgh story and we are delighted to have Heinz Endowments as a funder for the production and PNC Foundation as a partner to support the production and enhance the educational opportunities in the project,” said Darryl Ford Williams, vice president of content at WQED.

About WQED Multimedia
 WQED Multimedia has a proud history of honors, including 134 National and Mid-Atlantic Emmy® Awards, an Academy Award, and many, many others, including two Emmy® Awards for Station Excellence. WQED was founded in 1954 as the nation’s first community-supported broadcaster. The people of WQED create, produce and distribute quality programs, products and services to engage, inform, educate and entertain the public within their community and around the world. WQED Pittsburgh is one of the first broadcasters in the country to be fully high-definition (HD) in its studio and field production capabilities. It is the parent company of WQED-TV (PBS); WQED: The Neighborhood Channel; WQED: The Create Channel; WQED Showcase; Classical WQED-FM 89.3/Pittsburgh; Classical WQEJ-FM 89.7/Johnstown; the Pittsburgh Concert Channel at WQED-HD2 (89.3-2FM) and online at www.wqed.org/fm; local and national television and radio productions; WQED Interactive (www.wqed.org) and iQ: smartmedia, WQED’s Educational initiative (www.wqed.org/edu).

About PNC Foundation
The PNC Foundation, which receives its principal funding from The PNC Financial Services Group (NYSE: PNC), actively supports organizations that provide services for the benefit of communities in which it has a significant presence. The foundation focuses its philanthropic mission on early childhood education and community and economic development, which includes the arts and culture. Through Grow Up Great, its signature cause that began in 2004, PNC has created a $350 million, multi-year initiative to help prepare children from birth to age 5 for success in school and life.

About The Heinz Endowments
The Heinz Endowments supports efforts to make southwestern Pennsylvania a premier place to live and work, a center for learning and educational excellence, and region that embraces diversity and inclusion. Its mission is to help southwestern Pennsylvania thrive economically, ecologically, educationally and culturally, while advancing the state of knowledge and practice in the foundation’s fields of emphasis. These include philanthropy in general and the disciplines represented by five grant-making programs: Arts & Culture; Children, Youth & Families; Community & Economic Development; Education; and Environment.

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Posted on behalf of Dreamweaver Marketing Associates.  Joyce Kane is the owner of Cybertary Pittsburgh, a Virtual Administrative support company, providing virtual office support, personal and executive assistance, creative design services and light bookkeeping.  Cybertary works with businesses and busy individuals to help them work 'on' their business rather than 'in' their business.  www.Cybertary.com/Pittsburgh

Sunday, October 30, 2011

The Pearl Fishers Graces the Pittsburgh Opera Stage

For Immediate Release
October 28, 2011


Contact:

Debra L. Bell, Director of Marketing and Communications

Office: (412) 281-0912 ext 214 or dbell@pittsburghopera.org



Pittsburgh Opera continues 73rd season with splashy, exotic opera The Pearl Fishers





(above: the final scene of The Pearl Fishers. Photo © Ken Howard for San Diego Opera

What: Georges Bizet’s opera The Pearl Fishers (Les pêcheurs de perles)

Where: Benedum Center for the Performing Arts

7th Street and Penn Avenue, Downtown Pittsburgh

When:
Saturday, November 12, 8:00 PM

Tuesday, November 15, 7:00 PM

Friday, November 18, 8:00 PM

Sunday, November 20, 2:00 PM



Run Time: 2 hours, 5 minutes, including 1 intermission



Language: Sung in French with English titles projected above the stage



Tickets: Start at $10 for all performances.

Call 412-456-6666 for more information or visit www.pittsburghopera.org

Related FREE Opera Up Close, Brown Bag Concert, and Meet the Artists.




Pittsburgh, PA…After a long absence from the Pittsburgh Opera stage, Georges Bizet’s The Pearl Fishers (Les pêcheurs de perles) returns to the Benedum Center November 12, 15, 18, and 20 in a splashy production from San Diego Opera designed by fashion icon Zandra Rhodes. Audience members will be treated to a “visually stunning and sweet-sounding” [Voice of San Diego] production, with Ms. Rhodes’s colorful costumes and sets, along with dazzling vocals, impressive choruses, swirling orchestral music and exotic dance sequences. The Pearl Fishers, set in Ceylon (modern-day Sri Lanka), is a story of friendship and a forbidden love that ends in flames and flight.



Former Resident Artists Sean Panikkar (The Grapes of Wrath, 2008; Dialogues of the Carmelites, 2011) and Craig Verm (The Grapes of Wrath, 2008; The Rape of Lucretia, 2010; Turandot, 2011) take the male lead roles of Nadir and Zurga. They star alongside Leah Partridge as Leïla and Andrew Gangestad as Nourabad, both in their Pittsburgh Opera debuts. Music Director Antony Walker conducts; Andrew Sinclair from Royal Opera House Covent Garden originated this production in San Diego and debuts with Pittsburgh Opera as stage director. Once again Attack Theatre is featured in a Pittsburgh Opera production, as they work with renowned choreographer John Malashock for the exciting dances in Act III.



Pittsburgh Opera’s annual Student Matinee takes place this season during the run of The Pearl Fishers. On Thursday, November 17 at 10:30 AM at the Benedum Center, the Pittsburgh Opera Resident Artists will star in all four principal roles and engage more than 2400 students from public and private schools, grades 3-12. Before the Student Matinee, educators who wish to bring their students to this fully-staged performance with full orchestra are required to attend the Workshop for Educators on The Pearl Fishers and receive Act 48 hours along with numerous resources to integrate opera into existing lesson plans. Teachers and students receive $10 tickets to the Student Matinee. Resident Artists in The Pearl Fishers Student Matinee include Kyle Oliver as Zurga; Juan José de León as Nadir; Suzanne Vinnik as Leïla; and Adam Fry as Nourabad. Resident Artist stage director Stephanie Havey will direct the November 17 Student Matinee.



Tickets to The Pearl Fishers start at $10, with all performances at the Benedum Center for the Performing Arts, 7th Street and Penn Avenue, Downtown Pittsburgh. For additional information or to purchase tickets call 412-456-6666 or visit www.pittsburghopera.org.



Facts about the opera



  • In 1863, The Pearl Fishers had its premiere (12 years before Carmen) at Théâtre-Lyrique du Châtelet in Paris, and had 18 performances, then titled Leïla. It was revived in 1886 (after Bizet’s death) and had its U.S. premiere at The Academy of Music in Philadelphia in 1893.

  • Pittsburgh Opera last presented The Pearl Fishers in 1978 at Heinz Hall with Evelyn Mandac as Leïla, John Walker as Nadir, and Dominic Cossa as Zurga.

  • Zandra Rhodes has designed opera productions regularly since her debut in 2001 with The Magic Flute for San Diego Opera. In addition to The Magic Flute and The Pearl Fishers, she has also designed a production of Aida. She has designed clothing for Debbie Harry, and Kate Moss, and Diana, Princess of Wales, among others.

The story, in brief

Zurga is named chief of villagers; he and his friend Nadir recall how they once competed for the love of Leïla, and then swore on their friendship never to see her again. When a veiled priestess comes to the island to pray for a successful pearl harvest, Zurga promises her a valuable pearl if her prayers work; if not, she will die. That night, Nadir hears the priestess’s voice and recognizes it as Leïla’s: she is still in love with Nadir. The high priest Nourabad warns Leïla that the consequence of breaking her vows is death, and she recalls that she once saved a fugitive, and was given a necklace in thanks. Despite Nourabad’s warning, Leïla and Nadir consummate their love during a raging storm. Nourabad exposes their affair to everyone, and Zurga sentences them both to death. Leïla pleads with Zurga to spare Nadir’s life, but Zurga expresses his love for her and his jealousy of Nadir. Before the execution, she gives him her necklace, and he recognizes it as the one he gave the girl who protected him when he was a fugitive. Zurga distracts the others by setting the camp on fire, and sets Leïla and Nadir free. Nourabad reveals Zurga’s deeds, and Zurga is put to death while the lovers escape.



The Pearl Fishers opens Saturday, November 12 and continues November 15, 18, and 20, 2011. Tickets start at $10. Call 412-456-6666 or visit www.pittsburghopera.org .



The Pittsburgh Opera 2011-2012 season is generously sponsored by PNC Foundation.



Cast and Artistic Team (cast is listed in order of vocal appearance)



Zurga Craig Verm ** baritone

Nadir Sean Panikkar ** tenor

Leïla Leah Partridge + soprano

Nourabad Andrew Gangestad + bass



Conductor Antony Walker

Stage Director Andrew Sinclair +



Production Sets and costumes from San Diego Opera

Set and Costume Designer Zandra Rhodes +

Lighting Designer Ron Vodicka +

Choreographer John Malashock +

Assistant Choreographer Michael Mizerany +

Hair & Makeup Designer James Geier

Stage Manager Tara E. Kovach



+ Pittsburgh Opera Debut

* Pittsburgh Opera Resident Artist

** Pittsburgh Opera Resident Artist alumni



Tickets and Group Discounts

Tickets for all performances of The Pearl Fishers start at $10. Group discounts are available. For tickets, call (412) 456-6666 or visit www.pittsburghopera.org. For discounted group tickets (6 or more), contact Randy Adams at 412-281-0912, x 213.



Related Events



Opera Up Close: The Pearl Fishers

Sunday, October 30 – 2:00 PM

The George Rowland White Opera Studio at Pittsburgh Opera Headquarters

Opera Up Close is an entertaining and insightful program held on Sunday, October 30, at the George Rowland White Opera Studio in Pittsburgh Opera’s headquarters (2425 Liberty Avenue) in the Strip. Opera Up Close includes an in-depth musical analysis of the opera The Pearl Fishers with Music Director Antony Walker, and a panel discussion featuring stage director Andrew Sinclair and singer Craig Verm (“Zurga”). A reception follows, hosted by the Pittsburgh Opera Guilds. For more information, call (412) 281-0912 or visit www.pittsburghopera.org.



The Pearl Fishers Previews on WQED-FM 89.3 and WQED.ORG/FM

Saturday, November 5 – 1:00 PM; Friday, November 11 – 7:00 PM

Hosted by WQED’s Stephen Baum, and broadcast on radio as well as the WQED website, this The Pearl Fishers preview gives listeners an in-depth introduction to the singers, music and production of the opera. For more information, call (412) 281-0912 or visit www.pittsburghopera.org.



Brown Bag Concert

Saturday, November 12, 2011 – 12:00 PM

The George Rowland White Opera Studio at Pittsburgh Opera Headquarters

(2425 Liberty Avenue)

This one-hour concert begins at 12:00 PM and features the Pittsburgh Opera Resident Artists in the music of Bizet. The Brown Bag concerts provide an informal introduction to opera, and guests can meet the performers after the concert. Guests are encouraged to bring a lunch. Pittsburgh Opera is grateful to Eden Hall Foundation for sponsoring Brown Bag Concerts.



The Pearl Fishers Student Matinee

Thursday, November 17, 2011 – 10:30 AM

Benedum Center for the Performing Arts

Students in grades 3-12 from public and private schools all over the region are treated to a fully-staged production of The Pearl Fishers with Pittsburgh Opera Resident Artists starring in the lead roles, and full orchestra. Teachers earn Act 48 credits and tickets to the Student Matinee are $10. For more information, contact Marilyn Egan at 412-281-0912 x 242.



In-Store Discussion and Cocktail Party with Zandra Rhodes

Monday, November 7 – 6:00 PM

Larrimor’s, Downtown Location

Members of the local design community and students from The Art Institute of Pittsburgh will meet Zandra Rhodes at Larrimor’s and hear from her what it takes to make it as an international fashion designer. A cocktail party follows, where Pittsburgh Opera patrons and members of the Warhol Museum Inner Circle will have the opportunity to meet Ms. Rhodes, the set and costume designer for Pittsburgh Opera’s The Pearl Fishers.



Pre-Opera Talks

Benedum Center Main Floor

Ticketholders are invited to attend a Pre-Opera Talk on The Pearl Fishers one hour before each performance’s curtain in the Orchestra Section (Main Floor) of the Benedum Center. Learn about the composer and the story of the opera. These talks are free to all ticketholders.



Meet the Artists

Tuesday, November 15

Immediately following the opera in the Benedum Lower Lobby

Ticketholders for the Tuesday, November 15 performance of The Pearl Fishers are invited to gather in the Benedum Lower Lobby immediately following the performance for interviews with General Director Christopher Hahn and the stars of the opera. This event is free to all Tuesday performance ticketholders.



Pittsburgh Opera’s 2011-2012 season continues a 73-year tradition of excellence in opera. As part of the Company’s continued efforts to make opera accessible to all members of the community, single tickets for the 2011-2012 season will again start at just $10, with subscriptions starting at just $43 for four operas. Subscriptions and single tickets are on sale now.



2011-2012 Season

La traviata October 15, 18, 21, 23, 2011

The Pearl Fishers November 12, 15, 18, 20, 2011

Hansel & Gretel January 28, 31; February 3, 5, 2012

Tosca March 24, 27, 30; April 1, 2012

The Abduction from the Seraglio April 28; May 1, 4, 6, 2012

Single tickets on sale now, starting at $10

Season subscriptions for as little as $43

For ticket information visit our website www.pittsburghopera.org or call (412) 281-0912

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Tuesday, April 5, 2011

Dialogues of the Carmelites at the Benedum

For Immediate Release


April 4, 2011

Contact:
Debra L. Bell
Director of Marketing and Communications
412-281-0912 ext 214
dbell@pittsburghopera.org



Pittsburgh Opera presents Dialogues of the Carmelites

Moving, powerful work speaks to the human spirit





What: Francis Poulenc’s opera Dialogues of the Carmelites

Where: Benedum Center for the Performing Arts, 7th Street and Penn Avenue, Downtown Pittsburgh

When: Saturday, April 30, 8:00 PM;  Tuesday, May 3, 7:00 PM;Friday, May 6, 8:00 PM;
 Sunday, May 8, 2:00 PM

Run Time: 3 hours, including 1 intermission

Language: Sung in French with English titles projected above the stage

Tickets: Start at $10 for all performances.

Call 412-456-6666 for more information or visit www.pittsburghopera.org



Pittsburgh, PA…Pittsburgh Opera brings the intimate, powerful Dialogues of the Carmelites to the Benedum Center beginning April 30. Poulenc’s opera, inspired by the true story of 16 Carmelite nuns of Compiègne martyred during the Reign of Terror in France, is also reputedly a product of his own crisis of faith. Poulenc’s exceptionally fine vocal and choral composition is displayed in a work that invites spiritual introspection for people of all faiths. Jean-Luc Tingaud makes his Pittsburgh Opera conducting debut; Eric Einhorn (Carmen, 2010; Don Pasquale, 2009) returns to direct.

The nuns’ martyrdom is preceded by two spiritual crises in the convent, those of Mme. de Croissy, the dying Prioress, and the troubled Blanche de la Force, a young novice trying to escape the vagaries of the outside world, who is placed in the care of Mother Marie. Amanda Majeski debuts with Pittsburgh Opera as Blanche; Sheila Nadler sings Mme. de Croissy and Elizabeth Bishop (The Grapes of Wrath, 2008) portrays Mother Marie. The large cast also includes Sean Panikkar (The Grapes of Wrath, 2008) as Blanche’s brother, the Chevalier; James Maddalena (Così fan tutte, 2006) is the Marquis. Julianna Di Giacomo debuts as Mme. Lidoine; Resident Artists Shannon Kessler Dooley and Stephanie Lauricella are Sister Constance and Sister Mathilde; former Resident Artist Daphne Alderson is Sister Jeanne.

Dialogues features simple period costumes and a minimalistic set that uses light and space to lay bare the spiritual, psychological, and historic conditions of the characters in a non-literal way. The set is from Calgary Opera; costumes are from Seattle Opera.

Tickets to Dialogues of the Carmelites start at $10, with all performances at the Benedum Center for the Performing Arts, 7th Street and Penn Avenue, Downtown Pittsburgh. For additional information or to purchase tickets call 412-456-6666 or visit www.pittsburghopera.org.

The story, in brief

In 1789 Paris, Blanche de la Force, a daughter of privilege but nervous and fearful of the chaos of revolution, joins the Carmelites, despite the Prioress’s reservations. She begins an uneasy friendship with the childlike Sister Constance, who says she is sure she and Blanche will die together. Blanche also witnesses the Prioress’s crisis of faith as she dies in great pain. Blanche tries to leave the convent. Her young friend Constance asserts that the Prioress’s hard death did not suit her and must have been meant for someone else, who one day will find death surprisingly simple.

After the Chaplain celebrates his last Mass amid the chaos of revolution, the sisters discuss their possible martyrdom, but Madame Lidoine, the new Prioress, reminds them that one cannot choose to be a martyr. As the nuns prepare to leave their devastated convent, Mother Marie proposes they all take the vow of martyrdom, which must be unanimous. A secret vote reveals one dissenter: Constance claims untruthfully that it was hers, and asks to change it. Blanche takes the vow with the rest, but flees.

Mother Marie finds Blanche, who has been pressed into service to revolutionaries who have taken over her home and guillotined her father. Blanche confesses she is still dogged by fear, and Mother Marie gives her an address where she can take refuge. Later, Blanche learns that the nuns have been arrested. In a jail cell, Madame Lidoine tells the Carmelites she will join in their vow of martyrdom, made during her absence; Constance says she has dreamed of Blanche's return.

The Chaplain tells Mother Marie that the nuns have been condemned. Though she desperately wants to join them, the Chaplain reminds her she cannot make a martyr of herself. In the Place de la Révolution, the Carmelites march to the guillotine, chanting the Salve Regina, a hymn of supplication. Each is led up to death, as their voices are cut off one at a time. Finally, only Constance remains. She is overjoyed to see Blanche step from the crowd and take up the chant. Blanche changes the song to a hymn of praise to God as she steps to the scaffold. The astonished crowd disperses.

Dialogues of the Carmelites opens Saturday, April 30 and continues May 3, 6, and 8, 2011. Tickets start at $10. Call 412-456-6666 or visit www.pittsburghopera.org.



The Pittsburgh Opera 2010-2011 season is generously sponsored by PNC Foundation.

This project is supported in part by an award from the National Endowment for the Arts.

Media sponsor is WORD-FM.

Tickets and Group Discounts

Tickets for all performances of Dialogues of the Carmelites start at $10. Group discounts are available. For tickets, call (412) 456-6666 or visit www.pittsburghopera.org. For discounted group tickets (6 or more), contact Randy Adams at 412-281-0912, x 213.