Jessica Warchall, Visual Arts Publicist, 847-477-8714/Warchall@TrustArts.org
Shaunda Miles, Director of Public Relations, 412-471-1578/Miles@TrustArts.org
Diana Roth, Communications Manager, 412-471-8717/Roth@TrustArts.org
Images available: TrustArts.org/press
Search: Pattern 2014
PITTSBURGH CULTURAL TRUST PRESENTS
AN EXHIBITION OF FINDING AND BREAKING ORDER
July 11 – August 31, 2014 | SPACE | 812 Liberty Avenue
Exhibition Opening & Reception | July 11, 5:30 – 9 p.m.
Pittsburgh, PA—The Pittsburgh Cultural Trust presents the visual art exhibition Cataloguing Pattern, a collaborative meditation on the role of pattern in artistic practice. The exhibition is on view July 11–August 31, 2014, at SPACE. An opening reception takes place Friday, July 11, from 5:30–9 p.m., during the Trust’s quarterly Gallery Crawl throughout the Cultural District.
The exhibition, guest organized by Kristen Letts Kovak, investigates the links between visual, perceptual, and cognitive patterning, and it features more than 50 artworks by nine artists. Each artist chose one aspect of patterning to investigate: seriality, rhythm, rehearsal, behavior, permutation, morphology, expectation, and repetition.
Kovak’s exhibition explores the diverse role that patterning can play, noting that the process of creation often follows a pattern itself: intention, execution, and then resolution. Yet, even this pattern falls apart as the artists’ original intention inevitably shifts.
“We constantly break our own patterns as we investigate them more deeply and uncover our faulty assumptions,” says Kovak. “I wondered, if the cycle of establishing and breaking patterns is fundamental to the act of making art, wouldn’t it appear as an underlying theme in seemingly disparate artworks?”
Each artist—through differing aesthetics, media, and content—finds his or her own balance between ordered predictability and the irregular or unknown. As a group, the artists demonstrate that breaking a predicted pattern is more significant than establishing one, and they use pattern to reveal what is otherwise hidden.
Salinda Deery transcribes the repetitive motions of factory labor into abstract paintings. She treats her large canvases like an assembly line, repeating her marks as she walks alongside the surface. The resulting paintings resonate with the history of her movements and call attention to the interruptions in her routine. She resides in Elkhart, MD.
Todd Keyser investigates the relationship between the mass-produced and handmade image. Working on top of digitally printed photographs, he meticulously paints color striations onto their surfaces. His marks mimic both the underlying geometry and the hidden digital pixilation. Keyser resides in Pittsburgh, PA.
Kristen Letts Kovak integrates historically and culturally unrelated patterns into singular images. By imposing patterns onto an unfamiliar context, she interrupts the established design and creates new visual alliterations. The resulting paintings continuously slide between tangents and a larger superstructure. She resides in Pittsburgh, PA.
Maria Mangano creates mixed media and installation artworks that investigate taxonomy and ecology. She uses the repeated nature of printmaking to study visual and behavioral links between species. Her delicate pieces shed light on the fragile web of nature’s interaction in an urban environment. Mangano resides in Pittsburgh, PA.
Brooke Sturtevant-Sealover studies the lives of individual plants. She intricately charts each plant’s daily movements and growth patterns. Her marks are, in essence, chosen by the plants, but the method of recording is determined by the artist. The layers of collected data and live specimens become both a scientific record and a launching pad for aesthetic investigations. She resides in York, PA.
Rebecca Zilinski’s ink drawings map cognitive and behavioral responses. Her work is quiet and meditative, revealing its intricacies over time. While at a macro level she is articulating a predictable pattern, closer investigation reveals the unpredictable behavior of her media. Zilinski resides in Poughkeepsie, NY.
SPACE is located at 812 Liberty Avenue. Gallery Hours: Wed & Thurs: 11 a.m.–6 p.m.; Fri & Sat: 11 a.m.–8 p.m.; Sun. 11 a.m.–5 p.m. The gallery is free and open to the public. SPACE is a project of the Pittsburgh Cultural Trust. For more information about all gallery exhibitions featured in the Cultural District, please visit www.TrustArts.org.
About The Pittsburgh Cultural Trust
The Pittsburgh Cultural Trust has overseen one of Pittsburgh’s most historic transformations: turning a seedy red-light district into a magnet destination for arts lovers, residents, visitors, and business owners. Founded in 1984, the Pittsburgh Cultural Trust is a non-profit arts organization whose mission is the cultural and economic revitalization of a 14-block arts and entertainment/residential neighborhood called the Cultural District. The District is one of the country’s largest landmasses curated by a single nonprofit arts organization. A major catalytic force in the city, the Pittsburgh Cultural Trust is a unique model of how public-private partnerships can reinvent a city with authenticity, innovation and creativity. Using the arts as an economic catalyst, the Pittsburgh Cultural Trust has holistically created a world-renowned Cultural District that is revitalizing the city, improving the regional economy and enhancing Pittsburgh’s quality of life. Thanks to the support of foundations, corporations, government agencies and thousands of private citizens, the Cultural Trust stands as a national model of urban redevelopment through the arts. For more information, visit TrustArts.org.
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Images Courtesy of the Artists