Sunday, February 8, 2015

Dreamweaver Marketing News, MythBusters: Jamie & Adam UNLEASED!, Benedum Center


MythBusters: Jamie & Adam UNLEASED!, Benedum Center

PITTSBURGH CULTURAL TRUST ANNOUNCES
MYTHBUSTERS
JAMIE & ADAM – UNLEASHED!
ONE NIGHT ONLY!
BENEDUM CENTER | APRIL 20 | 8:00 P.M.
TICKETS ON SALE FRIDAY, FEBRUARY 6 AT 9:00 A.M.
Pittsburgh, PA (January 29, 2015)—Pittsburgh Cultural Trust is thrilled to announce that MythBusters Jamie & Adam UNLEASHED!, starring Jamie Hyneman and Adam Savage, co-hosts of the Emmy-nominated Discovery series “MythBusters,” debuts at the Benedum Center in Pittsburgh for one night only on Monday, April 20, 2015 at 8:00 p.m. Tickets go on sale to the public on Friday, February 6 at 9:00 a.m.  This presentation is part of the Cohen & Grigsby TRUST PRESENTS series.
the all-new live show
MythBusters Jamie & Adam UNLEASHED! presents a fantastical evening of on-stage experiments, audience participation, exciting videos, and behind-the-scenes stories.   With this show, fans join Jamie and Adam onstage to assist in their mind-blowing and mind-twisting approaches to science.  MythBusters Jamie & Adam UNLEASHED! brings you face-to-face with the curious world of Jamie and Adam as the duo matches wits on stage with each other and members of the audience.
from Broadwayworld.com
Tickets for Mythbusters Jamie & Adam UNLEASHED! ($42.25 – $152.25) are available at www.TrustArts.org, by calling 412-456-6666, or in person at Theater Square Box Office, 655 Penn Avenue.  Groups of 10 or more call 412-471-6930 or visit online www.TrustArts.org/groupsales.
Since 2012, Jamie and Adam have toured North America, Australia and New Zealand with their live show.  To date, they have performed in 91 cities, given 102 performances, over 200,000 people have seen them onstage and the tour has grossed over $12 million. This April, the tour will perform 17 dates across the US.
One of the most highly regarded and watched series on the Discovery Channel, “MythBusters” is now in its thirteenth season. Co-hosted by Hyneman and Savage, the show mixes scientific method with gleeful curiosity and plain old-fashioned ingenuity to create its own signature style of explosive experimentation – and the supporting or de-bunking of urban myths that we live with day to day.
Jamie and Adam have become spokespersons at large for applying science to real life – most recently as hosts of the Discovery Channel special “iGenius: How Steve Jobs Changed the World,” and have appeared on numerous shows including “Late Show with David Letterman,” “Good Morning America,” “The Late, Late Show with Craig Ferguson,” “The Colbert Report,” NPR’s “All Things Considered” and “Morning Edition,” “Countdown with Keith Olberman,” and many more.  They were invited to participate in Jon Stewart and Stephen Colbert’s Rally to Restore Fear And/Or Sanity and have received the Young Artist Award for inspiring young people in the interest of science. The MythBusters have been invited to participate on a panel at Comic-Con, where their appearances have sold-out four years running.
Jamie and Adam serve as guest editors for Popular Mechanics and were featured on the cover of the September 2009 issue.  That same year, they were inducted as honorary members into Sigma Xi, the Scientific Research Society.  They are Honorary Lifetime Members of the California Science Teachers Association and were named Honorary Engineers and Honorary Members of the Francis Crowe Society at the University of Maine.  Both Hyneman and Savage were given honorary Doctorates at the University of Twente in the Netherlands for their efforts at popularization of science.
Jamie and Adam produced and starred in an H1N1 Public Service Announcement for the White House, and were chosen by the President to retest the Archimedes legend using 500 schoolchildren as surrogate soldiers.
They appeared as themselves in the movie Darwin Awards and have made several cameos on other TV shows, including CSI.  And In 2010, Hyneman and Savage received the Outstanding Lifetime Achievement Award in Cultural Humanism from the Harvard Secular Society.
About Jamie Hyneman and Adam Savage
Jamie Hyneman is the owner of M5 Industries, an effects company specializing in problematic custom builds. Besides serving as headquarters of “MythBusters,” M5 continues to work on various research & development projects for private clients.
After trying his hand at careers as various as librarian at the United Nations in Geneva to running a diving and sailing charter business in the Caribbean, Hyneman began his career in show business as special effects shop assistant in New York and later in San Francisco as a crew member on films including “Robocop,” “Arachnophobia” and “Naked Lunch.”
While managing Colossal Pictures’ model shop in San Francisco, Hyneman was given the opportunity to take over – and M5 Industries was born.
Hyneman graduated from Indiana University with a degree in Russian. He has received an honorary engineering degree from the University of Maine as well as an honorary doctorate of engineering from Villanova University, with whom he has an ongoing collaborative relationship to help develop new safety concepts for the military. He is the holder of several patents and the winner of numerous industry awards.
Hyneman currently resides the San Francisco Bay Area with his wife.
http://mythbustersresults.com/adam-savage
Adam Savage received a call from Jamie Hyneman in 2002 to participate in a demo for a TV show, which turned into the wildly popular Discovery Channel & SBS series “MythBusters.”
Savage immersed himself in the NYC arts scene before moving to San Francisco in 1990 to parlay his skills into the thriving theater scene. There he worked for dozens of companies as set designer, prop master, art director and producer before falling into the machine art community where he learned welding, pneumatics, hydraulics, electronics and robot-building.
After exhibiting his work in over 50 art shows nationwide, Savage caught the eye of the special effects industry and began working as a prop builder and art director for major commercials for Sega, Coca-Cola, Nike, Burger King and Chevrolet. His work on a Coca-Cola commercial earned him a Clio Award nomination.
After a 18-month stint as head of research & development for startup toy company ZOOB, Savage joined George Lucas’ Industrial Light and Magic, where he worked on “Star Wars: Episodes 1 and 2,” “Galaxy Quest,” “Space Cowboys,” “A.I.,” “Terminator 3,” “The Mummy,” and dozens of commercials. During this time he also worked as model-shop supervisor for the two “Matrix” sequels as well as taught at the Academy of Art College in San Francisco.
Savage continues to dabble in his multiple hobbies, including passionately restoring his vintage four-wheel drive vehicle and accruing new pieces for his movie prop collection. He currently lives in San Francisco with his wife, twin boys and two dogs.
About MagicSpace EntertainmentPrincipals Lee D. Marshall, Joe Marsh, John Ballard, Steve Boulay and Bruce Granath have
been producing and presenting shows worldwide for over 30 years.
“We have had the pleasure and privilege of producing and presenting many great shows and tours over the years,” says Lee Marshall, MagicSpace CEO. “Our strength has always been the ability to find great opportunities that do not fit into any pre-conceived template. We get excited about projects, which have the potential to find an audience. It doesn’t matter to us if the show is a concert tour, an exhibition, an arena spectacle or a Broadway musical. Our strength is finding new opportunities and then paying a great deal of attention to how they are managed. We feel we are uniquely positioned to thrive in the current marketplace where traditional formulas and business models are thrown out and new ones need to be invented daily.”

Pittsburgh Cultural Trust
The Pittsburgh Cultural Trust has overseen one of Pittsburgh’s most historic transformations: turning a seedy red-light district into a magnet destination for arts lovers, residents, visitors, and business owners. Founded in 1984, the Pittsburgh Cultural Trust is a non-profit arts organization whose mission is the cultural and economic revitalization of a 14-block arts and entertainment/residential neighborhood called the Cultural District. The District is one of the country’s largest land masses “curated” by a single nonprofit arts organization. A major catalytic force in the city, the Pittsburgh Cultural Trust is a unique model of how public-private partnerships can reinvent a city with authenticity, innovation and creativity.  Using the arts as an economic catalyst, the Pittsburgh Cultural Trust has holistically created a world-renowned Cultural District that is revitalizing the city, improving the regional economy and enhancing Pittsburgh’s quality of life. Thanks to the support of foundations, corporations, government agencies and thousands of private citizens, the Trust stands as a national model of urban redevelopment through the arts.
Follow us on Twitter @CulturalTrust, and like us on Facebook

Sunday, February 1, 2015

Dreamweaver Marketing News and Views, Andrew Lloyd Webber's Phantom of the Opera in Pittsburgh



FOR IMMEDIATE RELEASE 
Media Contacts:
PNC BROADWAY ACROSS AMERICA - PITTSBURGH
Show Publicist: Diana Roth, Communications Manager, 412-471-8717 / roth@trustarts.orgOther Contact: Shaunda Miles, Director of Public Relations, 412-471-1578 / miles@trustarts.org 
Images available:  TrustArts.org/Press
Search:  2015 PHANTOM 
CAST REVEALED FOR 
ANDREW LLOYD WEBBER’STHE PHANTOM OF THE OPERA
IN A SPECTACULAR NEW PRODUCTION BYCAMERON MACKINTOSH 
PITTSBURGH PREMIERE ENGAGEMENT COMES TO BENEDUM CENTER
FEBRUARY 18 - MARCH 1, 2015 

Pittsburgh, PA—Cameron Mackintosh and Andrew Lloyd Webber’s Really Useful Group are delighted to announce the casting for their spectacular new production of Andrew Lloyd Webber’s THE PHANTOM OF THE OPERA currently on sale for the premiere Pittsburgh engagement at the Benedum Center.  

In Pittsburgh, THE PHANTOM OF THE OPERA will play Wednesday, February 18 through Sunday, March 1, 2015, with performances Tuesday through Thursday at 7:30 p.m.; Friday at 8:00 p.m.; Saturday at 2:00 p.m. & 8:00 p.m.; Sunday at 1:00 p.m. and 6:30 p.m. with an additional matinee on Thursday, February 19 at 1:00 p.m.  With newly reinvented staging and stunning scenic design, this new version of PHANTOM, one of the most successful musicals of all-time, will be performed by a cast and orchestra of 52, making this one of the largest productions on tour in North America. To purchase tickets, visitwww.TrustArts.org, call 412-456-4800 or in person at Theater Square Box Office, 655 Penn Avenue.  Ticket prices start at $40.

THE PHANTOM OF THE OPERA is part of the 2014-2015 PNC Broadway Across America-Pittsburgh series, presented by the Pittsburgh Cultural Trust, Pittsburgh Symphony, and Broadway Across America. 
Chris Mann will portray the man behind the mask, ‘The Phantom,’ with Katie Travis as ‘Christine Daaé,’ Storm Linebergeras ‘Raoul,’ Jacquelynne Fontaine as ‘Carlotta Giudicelli,’ David Benoit as ‘Monsieur Firmin,’ Edward Staudenmayer as ‘Monsieur André,’ Anne Kanengeiser as ‘Madame Giry,’ Frank Viveros as ‘Ubaldo Piangi’ and Morgan Cowling as ‘Meg Giry.’ 
and perform as Christine Daaé and The Phantom, picture Phantomoftheopera.com

Recording artist Chris Mann had his breakout turn on NBC’s “The Voice.” In 2012, he released his debut solo album “Roads” and followed with his PBS Concert “Chris Mann In Concert: A Mann For All Seasons.”  Katie Travis has performed principal roles at The Fireside Theater, Liederkranz Opera Theater, The MUNY (Les Misérables, Cosette) and won the Lys Symonette Award (Lotte Lenya Competition). Storm Lineberger makes his touring debut in Phantom. He has performed at the Lyric Theatre of Oklahoma, New London Barn Playhouse and is a graduate of the University of Oklahoma. Jacquelynne Fontaine’s stage and opera credits include The Student Prince (Kathie, Pittsburgh CLO), A Little Night Music (Charlotte, Indiana Rep), La Traviata (Violetta) and was Miss California 2006.  David Benoit’s Broadway and National Tour credits include Jekyll & Hyde,Avenue QLes MisérablesDance of the VampiresYoung Frankenstein and All Shook Up. Edward Staudenmayer’s Broadway credits include WonderlandMartin Short: Fame Becomes Me and Beauty and the Beast (1st National Tour). Anne Kanengeiser has been seen on Broadway in the original companies of Little WomenRagtime as well as the 3rd National Tour of The Phantom of the Opera.  Frank Viveros originated the roles of Bloat The Blowfish in Disney’s Finding Nemo: The Musical and Iron Chef in Yellow Brick Road.  Morgan Cowling appeared in Once We Lived Here (Off-Broadway), Disney’sWishes (Original Cast) and Australian productions of Guys and Dolls and Seussical
K & as Christine and Raoul, picture @StormLineberger Twitter

The Ensemble includes Adam Bashian, Krista Buccellato, Nick Cartell, Dan Debenport, Amy Decker, Mark Emerson, David Foley, Jr., Celia Hottenstein, Christopher M. Howard, Merritt David Janes, Edward Juvier, Ted Keener, Luke Lazzaro, Jay Lusteck, Katie McCreary, Christy Morton, Lindsay O’Neil, Quinto Ott, Eric Ruiz, Allan Snyder and Marguerite Willbanks. The Corps de Ballet includes Christina Dooling, Sarah DeBiase, Anjelica Bette Fellini, Abigail Mentzer, Lily Rose Peck, Alexandra Pernice, Tara Sweeney and Micki Weiner.
For more information on the production and a video sneak peek, please visit www.ThePhantomOfTheOpera.com/USTour
Andrew Lloyd Webber said, “It’s wonderful to have a new production of PHANTOM touring America now that the show has celebrated 27 years on Broadway. Director Laurence Connor has done an amazing job and this production has received huge critical acclaim in the UK.” 
Cameron Mackintosh said, ''After a glorious celebration of 27 phenomenal years on Broadway with no end in sight, I’m delighted that this dazzling new production of PHANTOM has been phenomenally well-received by both audiences and critics alike in the U.K. and now the U.S. With an exciting new design and staging, retaining Maria Björnson’s amazing costumes, I am confident North American audiences will fall in love with the PHANTOM in his new guise -- for the first time or all over again.” 
The new production of PHANTOM is an enormous hit with audiences and critics alike… 
“Extraordinarily opulent.  This PHANTOM’S storytelling and relationships have an electrifying tension.” – Chicago Sun-Times 
“An intense and spectacular new production with a stunning new design, fresh drama and added momentum.” – Sunday Express (UK) 
“Take a deep breath and prepare to be dazzled; this kind of gorgeous escapism is exactly what audiences need.” – The Scotsman (UK) 
“Powerful, gorgeous…and better than ever.” – The Philadelphia Inquirer 
“This PHANTOM is for a new generation.” – Roy Leonard, Chicago Now 
This new production of THE PHANTOM OF THE OPERA is directed by Laurence Connor (the 25th Anniversary production of Les Misérables now on Broadway) with choreography by Scott Ambler, set design by Paul Brown, Tony Award-winning original costume design by Maria Björnson, lighting design by Tony Award-winner Paule Constable, sound design by Mick Potter and musical supervision by John Rigby. The production is overseen by Matthew Bourne and Cameron Mackintosh. THE PHANTOM OF THE OPERA has music by Andrew Lloyd Webber; lyrics are by Charles Hart (with additional lyrics by Richard Stilgoe) and the book is by Richard Stilgoe and Andrew Lloyd Webber.  Orchestrations are by David Cullen and Andrew Lloyd Webber. 
There are currently eight productions of THE PHANTOM OF THE OPERA around the world: the flagship London production (approaching 28 Years and counting), New York (27 Years and counting), Sapporo (Japan, 25 Years and counting, in repertory), Budapest (Hungary), Hamburg (Germany), the Asian Pacific Tour (now in Taipei, Taiwan), Moscow (Russia, which had its official opening on October 4, 2014) and Cameron Mackintosh’s spectacular new production now on tour in North America.  Following Moscow, the next international openings will be in Hong Kong in December 2014 and Istanbul (Turkey) in April 2015. 

THE PHANTOM OF THE OPERA became the first stage production to reach worldwide grosses of $6 billion, which it did this past summer.  Revenues far surpass the world’s highest-grossing film Avatar (at $2.8 billion), as well as such other blockbusters as TitanicThe Lord of the RingsJurassic Park and Star Wars
Worldwide, THE PHANTOM OF THE OPERA has played over 65,000 performances that have been seen by 140 million people in 30 countries and 151 cities in 14 languages. The show has won more than 70 major theater awards. 
There have been three previous U.S. National Tours of THE PHANTOM OF THE OPERA that grossed over $1.5 billion in combined box office sales and played 216 engagements in 77 cities for an unprecedented total of 36 years and over 14,500 performances to 31 million people. 
Based on the classic novel Le Fantôme de L’Opéra by Gaston Leroux, THE PHANTOM OF THE OPERA tells the story of a masked figure who lurks beneath the catacombs of the Paris Opera House, exercising a reign of terror over all who inhabit it.  He falls madly in love with an innocent young soprano, Christine, and devotes himself to creating a new star by nurturing her extraordinary talents and by employing all of the devious methods at his command. 
For more information, visitwww.ThePhantomOfTheOpera.com.
Facebook:        www.facebook.com/PhantomOnTour
Twitter:           www.twitter.com/PhantomOnTour
Instagram:       www.instagram.com/PhantomTour
Know The Show Before You GoOn Wednesday, February 18, 2015, PNC Broadway Across America-Pittsburgh ticket holders are invited to attend a free pre-show talk, one-hour before the show starts, at the Trust Arts Education Center, located at 805-807 Liberty Avenue, downtown Pittsburgh. Know The Show Before You Go is hosted by Christopher Rawson, senior theater critic for the Pittsburgh Post-Gazette and KDKA-TV.  This program allows patrons to gain deeper insight on each production that graces the Pittsburgh stage this Broadway season.  For more information and complete schedule of upcoming Know The Show Before You Goprograms during the 2014-2015 PNC Broadway Across America-Pittsburgh series, please visit:www.TrustArts.org/KnowtheShow

Broadway Across AmericaBroadway Across America is part of the Key Brand Entertainment family of companies which includes Broadway.com and is operated by John Gore (Owner & CEO). BAA is the foremost presenter of first-class touring musicals and plays in North America, operating in 40 markets. As a leading Broadway producer, BAA is dedicated to the development and production of new and diverse theatre. Current/upcoming productions include Beautiful, Bullets Over Broadway, Million Dollar Quartet and Pippin. Past productions include Hairspray, How to Succeed in Business Without Really Trying, Memphis, Promises, Promises, The Producers and War Horse. Broadway.com is the premier theater website for news, exclusive content and ticket sales. For more information please visit BroadwayAcrossAmerica.com and Broadway.com.
Pittsburgh Cultural TrustThe Pittsburgh Cultural Trust has overseen one of Pittsburgh’s most historic transformations: turning a seedy red-light district into a magnet destination for arts lovers, residents, visitors, and business owners. Founded in 1984, the Pittsburgh Cultural Trust is a non-profit arts organization whose mission is the cultural and economic revitalization of a 14-block arts and entertainment/residential neighborhood called the Cultural District. The District is one of the country’s largest land masses “curated” by a single nonprofit arts organization. A major catalytic force in the city, the Pittsburgh Cultural Trust is a unique model of how public-private partnerships can reinvent a city with authenticity, innovation and creativity. Using the arts as an economic catalyst, the Pittsburgh Cultural Trust has holistically created a world-renowned Cultural District that is revitalizing the city, improving the regional economy and enhancing Pittsburgh’s quality of life. Thanks to the support of foundations, corporations, government agencies and thousands of private citizens, the Trust stands as a national model of urban redevelopment through the arts. www.TrustArts.org
Follow us on Twitter @CulturalTrust, and like us on Facebook.
# # #

Dreamweaver Marketing Associated News and Views, PSO and Cinema's Most Romantic Movie, Casa Blanca


For Immediate Release
January 30, 2015

PITTSBURGH SYMPHONY ORCHESTRA PRESENTS CINEMATIC SYMPHONY EVENT WITH CASABLANCA ON FEBRUARY 15

PITTSBURGH – Fall in love all over again when the Pittsburgh Symphony Orchestra presents “Casablanca,” a symphonic cinema event led by American conductor Emil de Cou, for one special night on Sunday, February 15 at 8 p.m. in Heinz Hall.

The 1942 American romantic film classic tells the dramatic story of a man torn between love and virtue, featuring iconic performances by Humphrey Bogart, Ingrid Bergman and Paul Henreid. This monumental film will be shown in high definition with Max Steiner’s Oscar-nominated score played live by the Pittsburgh Symphony Orchestra!

Tickets for “Casablanca” range from $22.75 to $82.75 and are on sale at pittsburghsymphony.org or 412-392-4900. 

American conductor Emil de Cou appears regularly as guest conductor with orchestras across the United States. After serving as associate
conductor with the National Symphony Orchestra for eight years, he was recently appointed as music director of the Pacific Northwest Ballet, a position he began in 2011. He was an active participant in a wide range of National Symphony Orchestra performances and events since his debut at Wolf Trap in 2000. In 2002, de Cou formally joined the National Symphony conducting staff and, in addition to being associate conductor, in the summer, serves as the conductor of the NSO at the Wolf Trap Festival. 


In that capacity, his responsibilities include leading several of the NSO's concerts at Wolf Trap, and acting as a spokesperson for the overall summer season. He also has led the Labor Day Weekend Capitol Concerts on the West Lawn of the U.S. Capitol annually since 2002. He has appeared as guest conductor with many leading orchestras, including those of Philadelphia, Chicago, Houston, Saint Louis, Detroit, Montreal, Boston Pops, Minnesota, Denver, Portland and San Francisco, where he also served as principal pops conductor. He was acting music director for the San Francisco Ballet and conductor of the American Ballet Theatre for eight seasons conducting performances at Lincoln Center as well as national and international tours. 

scene from "Casa Blanca"

De Cou made his Carnegie Hall debut as guest conductor for the New York Pops, and also appeared at the gala tribute to Beverly Sills at Lincoln Center with the Orchestra of St. Luke's and a stellar roster of soloists. His innovative concerts at the Wolf Trap Pavilion have included the first screenings of “The Wizard of Oz” with the score performed with live orchestra, the first ever live Twitter program notes (Beethoven’s “Pastoral” Symphony) and live in-time pod cast for a concert called “Fantastic Planet.” In 2008, he conducted the first performance of “Rodgers & Hammerstein at the Movies.” In 1985, de Cou was hired by Mikhail Baryshnikov to be the conductor of the American Ballet Theatre afterward joining the staff of the San Francisco Ballet where he ended his tenure there as music director in 1998. 

He has also worked with the New York City Ballet, National Ballet of Canada, Pacific Northwest Ballet and Suzanne Farrell Ballet and others. Emil de Cou was born in Los Angeles and studied with Daniel Lewis at the University of Southern California. He was the subject of a documentary on National Public Radio and was chosen from 200 candidates to study in Leonard Bernstein's master class at the Hollywood Bowl. He makes his home in San Francisco.
###

Contact: Louise Sciannameo, Vice President of Communications and External Relations
Phone: 412.392.4866 | email:
lsciannameo@pittsburghsymphony.org
Contact: Joyce DeFrancesco, Director of Media Relations
Phone: 412.392.4827 | email:
jdefrancesco@pittsburghsymphony.org
Twitter: @pghsymphony | Facebook: facebook.com/PittsburghSymphonyOrchestra