King Lear presented by Pittsburgh Irish and Classical Theatre

For immediate release:

Contact: Melissa Hill Grande

Director of Marketing

(412) 561-6000 x203

mgrande@picttheatre.org

http://www.picttheatre.org





Family betrayal, sibling rivalry take center stage in PICT‘s King Lear

starring Dakin Matthews



Pittsburgh, PA – March 24, 2008. Pittsburgh Irish & Classical Theatre kicks off the 2008 season, Family Affairs, with the grandfather of all Shakespearean tragedies, King Lear, in a bold, visceral new production directed by James J. Christy and generously sponsored by BNY Mellon. Previews begin April 9th, with an opening on April 12th and performances through April 26th at The Charity Randall Theatre in the Stephen Foster Memorial, Oakland.

The aging king divides his kingdom among his three daughters, basing each one’s share upon a public declaration of love to her father. Goneril and Regan make eloquent and hypocritical speeches, but the youngest daughter, Cordelia, refuses to participate and is disinherited. Meanwhile, the Earl of Gloucester is falsely persuaded by his bastard son, Edmund, that his other son, Edgar, is conspiring against him. It is only after these stubbornly misguided fathers have endured terrible physical and mental suffering that they realize it is the offspring they have so bitterly renounced, not those to whose flattery they have succumbed, who truly love them.

King Lear is directed by James J. Christy, with scenery by David P. Gordon, lighting by Andrew David Ostrowski, costumes by Pei-Chi Su, and sound design by Nicholas Crano. The production stars Dakin Matthews, Simon Bradbury, Larry John Meyers, and David Whalen; with Helena Ruoti, Robin Walsh, and Karen Baum as the three sisters.

Philadelphia-area director James J. Christy makes his PICT debut with King Lear. Local audiences may remember Christy from his work with the Three Rivers Shakespeare Festival in the 1990’s, where he directed As You Like It and The Comedy of Errors. He has directed over twenty Shakespeare productions at theatres like the Utah Shakespearean Festival, the New Jersey Shakespeare Festival, the Virginia Shakespeare Festival and at Villanova University where he taught theatre for thirty-nine years. He has garnered seven nominations for directing by the Philadelphia Theatre Alliance Barrymore Awards, winning two Barrymore Awards for directing and a special Barrymore for Lifetime Achievement.

Lear is played by Dakin Matthews, a renowned actor, dramaturg, and writer. Matthews is an Associate Artist of the Old Globe Theatre, a founding member of the Acting Company, and the former Artistic Director of California Actors Theatre, Berkeley Shakespeare Festival, and the Antaeus Company. As an actor for such companies as ACT in San Francisco, the Old Globe, The Mark Taper Forum, South Coast Repertory Theatre, and numerous summer Festivals, he has specialized in Shakespearean roles, including Falstaff, Julius Caesar, Capulet, Brutus, MacBeth, Shylock, and many others. On Broadway, he appeared in his own adaptation of Shakespeare’s Henry IV (directed by Jack O’Brien), winning the Bayfield Award for acting and a Drama Desk Award for adaptation. No stranger to contemporary plays, his many recent roles include Dick Cheney in Stuff Happens and Hector in The History Boys at the Mark Taper and Alfred Hitchcock in Hitchcock Blonde at South Coast Rep. His 20 films include Thirteen Days, Nuts, and Clean and Sober. He has also appeared in over 200 television shows, including, most recently, recurring roles on Desperate Housewives, The King of Queens, and Gilmore Girls.

Simon Bradbury returns to PICT to play Lear’s Fool. Recent credits in Vancouver include Charlie Chaplin Goes to War, Oliver and the upcoming Stargate movie. Bradbury spent sixteen years as a company member at the Shaw Festival, and was PICT's 2006 actor-in-residence, performing in The Pillowman (Ariel), Endgame (Clov), and The Shaughraun (Conn).

The Earl of Gloucester is played by Pittsburgh-based actor Larry John Meyers. Meyers has performed in more than a dozen PICT shows over the past seven seasons, including the acclaimed 2006 production of Samuel Beckett’s Endgame (Hamm), and last season’s Julius Caesar (Caesar) and Stuff Happens (Dick Cheney).

Pittsburgh Post-Gazette 2007 Performer of the Year David Whalen returns to play Edgar. Last season, Whalen was seen as George W. Bush in Stuff Happens, Mark Antony in Julius Caesar, Padraic Osbourne in The Lieutenant of Inishmore, and Mr. Darcy in Pride & Prejudice. A Pittsburgh native, Whalen is a graduate of Point Park University and the North Carolina School for the Arts. He played Joe Pitt in the American regional premiere of Tony Kushner’s Angels in America at Houston’s Alley Theatre and toured Europe with the production. He also appeared in the Arden/City Theatre co-production of Michael Hollinger’s Opus.

Lear’s three daughters are played by Pittsburgh residents Helena Ruoti (Goneril), Robin Walsh (Regan) and Karen Baum (Cordelia). Helena Ruoti was last seen in PICT’s Heartbreak House. Previously for PICT, Walsh played the title role in Hedda Gabler, as well as appearing in The False Servant and Henry. Karen Baum returns to PICT after playing Moya in The Shaughraun and Catherine in Boston Marriage. The King Lear ensemble includes David Cabot, Matt DeCaro (Kent), Jarrod DiGiorgi, Kevin Koch, Randy Kovitz, Christopher Maxwell, Maurice Redwood, Mark Staley, Paul Todaro (Edmund), Evan Walker, and Dereck Walton.

Scenic designer David P. Gordon makes his PICT debut with King Lear. A recipient of three Barrymore Awards and ten nominations for Outstanding Set Design for his work in the Philadelphia area, Gordon currently serves on the faculty of Rutgers University’s Mason Gross School for the Arts. The costumes are designed by Pei-Chi Su, whose previous PICT credits include Pride & Prejudice, Private Lives, and BeckettFest. Andrew David Ostrowski (Hedda Gabler, Private Lives) designs lights, and Nicholas Crano (Shakespeare’s Henry IV) sound.

This production runs April 9th through the 26th in the stately Charity Randall Theatre, located in the Stephen Foster Memorial on Forbes Avenue in Oakland. Student matinees are scheduled for school groups on April 9th, 15th and 22nd at 10 a.m. Tickets for public performances are available by calling ProArts Tickets at 412-394-3353, or through the PICT website at www.picttheatre.org. To schedule students into a matinee performance, contact PICT Education Director Michele McClendon at 412-561-6000 x208, or email mmcclendon@picttheatre.org.



King Lear Fact Sheet



King Lear by William Shakespeare

Directed by James J. Christy

The Charity Randall Theatre, Stephen Foster Memorial, Oakland



Cast: Karen Baum, Simon Bradbury, David Cabot, Matt DeCaro, Jarrod DiGiorgi, Kevin Koch, Randy Kovitz, Dakin Matthews, Christopher Maxwell, Larry John Meyers, Maurice Redwood, Helena Ruoti, Mark Staley, Paul Todaro, Evan Walker, Robin Walsh, Dereck Walton, and David Whalen.



Design Team: Nicholas Crano (Sound), David Gordon (Scenic), Andrew David Ostrowski (Lighting), and Pei-Chi Su (Costumes)



Dates and Times:

First Week: Thursday – Friday, April 10 - 11, Previews, 8 p.m.

Saturday, April 12, Opening Night, 8 p.m. (followed by reception)

Sunday, April 13, 2 p.m. (followed by a talk-back with actors)



Second Week: Tuesday, April 15, 7 p.m.

Wednesday – Saturday, April 16 -- 19, 8 p.m.

· Artistically Speaking -- Wednesday, April 16 (sponsored by UPMC)

· Behind the Scenes -- Thursday, April 17 at 7 p.m.



Third Week: Wednesday – Friday, April 23 - 25, 8 p.m.

Saturday, April 26, 2 p.m. & 8 p.m.

· Saturday, April 26, 2 p.m. – Audio descriptive performance

· Saturday, April 26, 8 p.m. – Shakespeare’s (Belated) Birthday Party

(a post-show celebration)



Student Matinees for School Groups: April 9, 15 & 22 – 10 a.m.

To schedule student matinees, call Michele McClendon at 412-561-6000 x208 or email mmcclendon@picttheatre.org



Ticket Prices:

Wednesday, Thursday & Sunday Nights and Matinees: $41 Adults, $37 Seniors

Friday and Saturday Nights: $45 Adults, $40 Seniors

Opening Night: $47 adults, $42 Seniors

Previews: $33 (all seats, no senior discounts)

Student Tickets: $17 (All Performances)

For Tickets call ProArts at (412) 394-3353 or visit www.picttheatre.org



Visit PICT online at www.picttheatre.org



The Pittsburgh Irish and Classical Theatre was founded in 1996 to diversify the region’s theatrical offerings by providing Pittsburgh and Western Pennsylvania audiences with high-quality, text-driven, affordable productions of classical theatre and the works of classical and contemporary Irish playwrights and to significantly improve employment opportunities for local talent in all facets of theatrical presentation and production. PICT is a Small Professional Theatre (SPT) affiliated with Actors’ Equity Association, and a constituent member of Theatre Communications Group (TCG) and the Greater Pittsburgh Arts Alliance. PICT is Professional Theatre in Residence at the University of Pittsburgh and PICT productions at the Charity Randall and Henry Heymann Theatres are presented in cooperation with the University of Pittsburgh – Department of Theatre Arts.





Melissa Hill Grande

Marketing Director

Pittsburgh Irish and Classical Theatre

PO Box 23607

Pittsburgh, PA 15222

412-561-6000, x203

mgrande@picttheatre.org

Visit our website: www.picttheatre.org!

Pittsburgh Theaters Collaborate for Spring Plays

FOR IMMEDIATE RELEASE


Pittsburgh Theaters ‘Shake’ Things Up with Spring Collaboration


Pittsburgh – Point Park University’s Conservatory Theatre Company, The University of Pittsburgh Repertory Theater, Pittsburgh Irish & Classical Theatre and Bricolage are gearing up to present Pittsburgh with four unique Shakespeare productions. The theatres are collaborating to offer the “Spring into Shakespeare” promotion, allowing them to promote one another’s productions and offer cross-promotional discounts.



“Spring into Shakespeare” kicks off with Point Park University’s Conservatory Theatre Company’s unique adaptation of Romeo and Juliet. Set in 1849 Alta California, directed by Penelope Miller Lindblom, this production of Romeo and Juliet takes this classic, tragic love story and sets it in a time of perverse greed and violence. Romeo and Juliet runs April 3-13, 2008 at the Pittsburgh Playhouse. Tickets are $18 -$20 and can be purchased by calling the box office at 412-621-4445 or online at www.pittsburghplayhouse.com. Patrons who bring a ticket stub from one of the other “Spring into Shakespeare” productions receive $5 off the full ticket price.



Next up, The University of Pittsburgh Repertory Theatre presents William Shakespeare’s Cymbeline April 9–13 and 17–19 in the Cathedral of Learning’s Studio Theatre. This lively and accessible production of the Bard’s rarely performed masterpiece harkens back to Elizabethan playhouses, engaging the audience with humor, swordplay, and live music. Under the direction of Chaya Gordon, and performed by an ensemble cast, Cymbeline is a swashbuckling tale of forbidden love, treachery, and divine intervention. Tickets are $7 for students and $10 for the general public, and can be purchased by calling the box office at 412-624-7529 or online at www.play.pitt.edu.



Pittsburgh Irish & Classical Theatre presents King Lear, directed by Barrymore Award-winner James J. Christy, at The Charity Randall Theatre at the Stephen Foster Memorial in Oakland. King Lear is the classic story about the division of his kingdom amongst his daughters based on their public declaration of love for their father. After terrible suffering, Lear realizes that the daughter he has disinherited was the only one who truly loved him. Featuring Dakin Matthews as Lear and Simon Bradbury as the Fool, King Lear runs April 9-26, 2008. Tickets are available by calling ProArts at 412-394-3353 or online at www.picttheatre.org, Patrons who bring a ticket stub from one of the other “Spring into Shakespeare” productions receive $5 off the full ticket price.



Bricolage rounds out the event with their production of Troilus and Cressida, directed by Jeffrey Carpenter, on July 27th and 28th at 8 p.m. It is the seventh year of the siege of Troy by Agamemnon and his Greeks. The conflict is at a stalemate and dissension is growing in both camps. By turns shocking, uproarious, and impassioned, Troilus and Cressida is a bitterly satirical, thoroughly modern exploration of politics, brutality, vanity, double standards, and doomed love played out against the background of a senseless war which no one seems to know how to bring to an end. The performance is free to the public. More information can be obtained through the organization’s website at www.webbricolage.org or by calling 412-381-6999.



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