Showing posts with label CulturalEventsPittsburgh; Plays. Show all posts
Showing posts with label CulturalEventsPittsburgh; Plays. Show all posts

Tuesday, March 19, 2013

Our Class at the PICT


PICT Theatre Announces Full Company for Our Class
**Irish-American Aoife Spillane-Hinks will direct**
***Post-Gazette’s Breakout Performer of 2012 Vera Varlamov returns to PICT***



Pittsburgh, PA – March 12, 2013.  PICT Theatre (aka Pittsburgh Irish & Classical Theatre) announces the full cast for Our Class, the powerful Nike award-winning play by Tadeusz Slobodzianek and translated by Ryan Craig. Irish-American Aoife Spillane-Hinks will direct. Our Class opens with a student matinee on April 10th, and runs through May 4th.

Aoife Spillane-Hinks is pleased to make her PICT directorial debut with Our Class. She is currently the co-artistic director of Then This Theatre Company in Dublin Ireland, as well as the  co-curator and co-producer of the TEXT|messages Shakespeare project. Her directorial credits include Broken Promise Land (Lanigan’s Theatre Upstairs); The Yellow Wallpaper (Project Arts Center/Dublin Fringe); Plaza Suite (Rough Magic/Gaiety Theatre); Hamlet (Second Age); and Boston Marriage (Gate Theatre/Dublin). Aoife Spillane-Hinks joins the production following PICT’s recent leadership change.


ABOUT THE PLAY:
Our Class is inspired by the atrocity of Jedwabne, a Polish village where, in 1941, as Russian and German forces pressed in, almost all of the local Jews were tortured and killed. This horrific crime was originally blamed on the Nazis, but historians and journalists more recently revealed that the perpetrators may have been their own neighbors. Slobodzianek used, among other sources, the book Neighbors by Dr. Jan Gross, which has been regarded as controversial for its interpretation and accounting of the facts.

In this play, we meet each of the characters as school children, innocent and unaware of their futures as villains and victims; each actor portrays the character from age 8 into adulthood. Our Class is the first Polish drama to receive Poland’s prestigious Nike Literary Prize.

ABOUT THE CAST:
Vera Varlamov returns to PICT for a second season. She earned the Pittsburgh Post-Gazette’s acclaim as a Breakout Performer of 2012 for playing Irina in Three Sisters as part of PICT’s Chekhov Celebration. Varlamov also appeared in The Proposal in PICT’s Funny Chekhov production. Most recently, she has made Miami her home, appearing as Julia in The Birds at Mosaic Theatre. She is a recent graduate of Rutgers MFA-Acting program.

Also returning to PICT from the 2012 Chekhov Celebration are Katya Stepanova and Jonathan Visser. Stepanova, a senior acting major at Carnegie Mellon University's School of Drama played Sasha in Ivanov. Born in Minsk, Belarus, her family immigrated as Jewish refugees to the United States in 1992, so she feels a particular connection to this play.

Jonathan Visser played three roles in last year’s Chekhov Celebration: Solyony in Three Sisters, Kosyk in Ivanov, and Dmitri in Yalta Game by Brian Friel, part of the After Chekhov program. Other Pittsburgh performances include work with Bricolage, City Theater, The Rep, and CLO. He is a proud graduate of the Masters program at the University of Tennessee, 2010.

PICT also welcomes the return of Bernard Balbot, who played Young Lad in 2012’s hit The Pitmen Painters. A native of Pittsburgh, Balbot’s credits include Rich and Famous (Jackalope Theatre Company); Far Away (Winterfall Chicago); We Are Proud to Present a Presentation…(Victory Gardens). Additional credits include work for the Chicago Shakespeare Theater, Writers' Theatre, American Theater Company, Asolo Repertory Theater, Farmers Alley Theater, Utah Shakespearean Festival and Hangar Theater.  His film credits include Warrior and Sleepers of the City. Balbot received his BFA at Carnegie Mellon University School of Drama with additional training at the Moscow Art Theatre School.

Aaron White was last seen on the PICT stage in 2011’s Antony & Cleopatra. In addition to performing, White teaches at Susquehanna University in Central Pennsylvania.  His performance credits include  Bloomsburg Theater Ensemble, Adirondack Shakespeare Company, Texas Shakespeare Festival, Virginia Shakespeare Festival, Nebraska Theater Caravan. Aaron is originally from Dalmatia, Pennsylvania.  He holds a B.A from Susquehanna University, attended Ohio University and received his MFA from the PATP at the University of Houston.

Five actors will be making their PICT performance debuts: Justin Fortunato, Rafael Goldstein, Jimmy Mason, Caroline Shannon, Quinn Patrick Shannon.

Justin Fortunato has performed with Pittsburgh Public Theater, Pittsburgh CLO, The REP, Prime Stage Theater and St. Vincent Theatre. He is a graduate of Point Park University, where he earned his BFA in Musical Theatre.  He is also the co-founder and artistic director of Carnivale Theatrics, which will be producing In The Heights this upcoming August at the New Hazlett Theater.

Rafael Goldstein’s performance in Hamlet for Zombie Joe’s Underground Theatre earned him a nomination by the Los Angeles Drama Critics Circle for Lead Performance. Additional theatre credits include A Noise Within Theatre; Mechanicals Theatre Group; Atlantic Theater Company and La MaMa Theater. His education includes Los Angeles County High School for the Arts, a BFA from NYU’s Tisch School of the Arts, and Atlantic Acting School.

Jimmy Mason is an actor and singer currently pursuing his BFA at Carnegie Mellon University. His performance credits include productions at Stanford University and Carnegie Mellon. He is a finalist in the Campus Superstar Pittsburgh competition, scheduled for March 21, 2013.

Caroline Shannon recently graduated with a BFA from University of Cincinnati’s College-Conservatory of Music (CCM) and teaches stage combat with the Shakespeare Society. Her regional theatre credits include Hangar Theatre, Accademia dell ‘Arte, Cincinnati Outdoor Classics, and the NYC Strawberry Festival.
Quinn Patrick Shannon has performed with CLO Cabaret, Pittsburgh Musical Theater, The REP and Theatreworks USA.

The creative team for Our Class includes Set Designer Gianni Downs, Costume Designer Rachel Parent, Lighting Designer Jim French, Sound Designer Elizabeth Atkinson, Original Composition by Doug Levine & Susanne Ortner-Roberts, Dialect Coach Natalie Baker-Shirer, Choreographer Mark Conway Thompson, Stage Manager Cory Goddard, and Assistant Stage Manager Caitlin Roper.

PICT Theatre (Pittsburgh Irish and Classical Theatre)  was founded in 1996 to diversify the region’s theatrical offerings by providing Pittsburgh and Western Pennsylvania audiences with high-quality, text-driven, affordable productions of classical theatre and the works of classical and contemporary Irish playwrights and to significantly improve employment opportunities for local talent in all facets of theatrical presentation and production.  PICT is a Small Professional Theatre (SPT) affiliated with Actors’ Equity Association, and a constituent member of Theatre Communications Group (TCG) and the Greater Pittsburgh Arts Council. PICT is the Professional Theatre in Residence at the University of Pittsburgh and PICT productions at The Charity Randall and Henry Heymann Theatres are presented in cooperation with the University of Pittsburgh – Department of Theatre Arts.

Posted on behalf of Dreamweaver Marketing Associates.  Joyce Kane is the owner of Cybertary Pittsburgh, a Virtual Administrative support company, providing virtual office support, personal and executive assistance, creative design services and light bookkeeping.  Cybertary works with businesses and busy individuals to help them work 'on' their business rather than 'in' their business.  www.Cybertary.com/Pittsburgh

Tuesday, October 30, 2012

WAR HORSE Area Premiere at Benedum


FOR IMMEDIATE RELEASE
Today's date: October 23, 2012
Contact: Diana Roth, 412-471-8717, roth@trustarts.org


PNC Broadway Across America-Pittsburgh presents the area premiere of WAR HORSE
November 13-18, 2012, Benedum Center

Pittsburgh, PA:  The National Theatre of Great Britain’s epic WAR HORSE, winner of five 2011 Tony® Awards including Best Play, will make its premiere in Pittsburgh from November 13-18, 2012, at the Benedum Center.  “A landmark theater event.” – Time Magazine

The performance schedule is Tuesday-Thursday at 7:30 p.m.; Friday at 8:00  p.m.; Saturday at 2:00 and 8:00 p.m.; and Sunday at 1:00 and 6:30 p.m. Tickets for WAR HORSE begin at $24.00. Tickets are on sale at TrustArts.org and at the Box Office at Theater Square (655 Penn Avenue) and by calling 412-456-4800.  Groups 10+ are available by calling 412-471-6930. Performance schedule, prices and cast are subject to change without notice. For more information, please visit warhorseonstage.com. or www.trustarts.org.

WAR HORSE is part of the PNC Broadway Across America – Pittsburgh series presented by The Pittsburgh Cultural Trust, Pittsburgh Symphony and Broadway Across America.

Michael Morpurgo’s beloved novel, War Horse, is also the inspiration for Steven Spielberg’s feature film of the same name, which earned six Oscar nominations including Best Picture.

Joey and the US National Tour of War Horse

Hailed by The New York Times as “theatrical magic,” WAR HORSE is the powerful story of young Albert’s beloved horse, Joey, who has been enlisted to fight for the English in World War I. In a tale the New York Daily News calls “spellbinding, by turns epic and intimate,” Joey is caught in enemy crossfire and ends up serving both sides of the war before landing in no man’s land. Albert, not old enough to enlist, embarks on a treacherous mission to find his horse and bring him home. What follows is a remarkable tale of courage, loyalty and friendship, filled with stirring music and songs and told with the some of the most innovative stagecraft of our time.

The tour of WAR HORSE, which was adapted from the book by Morpurgo by Nick Stafford, is directed by Bijan Sheibani based on the original Tony® Award-winning direction by Marianne Elliott and Tom Morris, and presented in association with Handspring Puppet Company. At the heart of the show are life-sized puppets which bring breathing, galloping, charging horses to thrilling life on stage.

Andrew Veenstra, John Riddleberger, Patrick Osteen, Jessica Krueger

In addition to Best Play, WAR HORSE received Tony® Awards for Best Direction of a Play (Marianne Elliott and Tom Morris), Best Scenic Design of a Play (Rae Smith), Best Lighting Design of a Play (Paule Constable), and Best Sound Design of a Play (Christopher Shutt). A Special Tony Award was given to Handspring Puppet Company for their integral work on the production.

WAR HORSE received its World Premiere in a limited engagement at the National’s Olivier Theatre in 2007. The play returned to the National Theatre for a second run playing from in 2008-2009 before transferring to the West End’s New London Theatre in Spring 2009 where it continues to play an open-ended run. WAR HORSE has been seen by over 2 million people worldwide and is currently playing at New York’s Lincoln Center Theater, in London’s West End, and at Toronto’s Princess of Wales Theatre. Future productions of WAR HORSE are planned for Australia, Berlin and South Africa, as well as a UK Tour. For more information, please visit www.WarHorseOnStage.com.

The lead producers of the National Tour of WAR HORSE are Bob Boyett and the National Theatre of Great Britain.

Lincoln Center Theater and the National Theatre of Great Britain in association with Bob Boyett and War Horse LP, are the producers of the American premiere of WAR HORSE, which opened in Spring 2011 at the Vivian Beaumont Theater where it is currently playing an open-ended run.

###
Posted on behalf of Dreamweaver Marketing Associates.  Joyce Kane is the owner of Cybertary Pittsburgh, a Virtual Administrative support company, providing virtual office support, personal and executive assistance, creative design services and light bookkeeping.  Cybertary works with businesses and busy individuals to help them work 'on' their business rather than 'in' their business.  www.Cybertary.com/Pittsburgh

Tuesday, August 28, 2012

Microscopic Opera Company Presents Riders2 + Lizbeth

FOR IMMEDIATE  RELEASE
Contact: Erica Olden                                                                                                        
Tel: 412-580-9267
Email: microscopicopera@gmail.com





THE MICROSCOPIC OPERA COMPANY PRESENTS:

RIDERS2+LIZBETH



Riders to the Sea: Play by John Millington Synge Riders to the Sea: Opera by Ralph Vaughan Williams Lizbeth: Music Drama by Thomas Albert



Three Micro-Productions for Microscopics THIRD Season!  Riders2 + Lizbeth, is an innovative production of John Millington Synges tragic play, Riders to the Sea, followed by Ralph Vaughan Williams’ chamber opera, Riders to the Sea.  The second half of the program brings Thomas Alberts thrilling one-act opera, Lizbeth, to Pittsburgh for its premiere. Directed by Gregory Lehane, Musical Direction by Andres Cladera.



WHERE:  Pittsburgh Opera Building

2425 Liberty Ave. Pittsburgh, PA 15222

WHEN:  September 14-16 + 20-22

8:00 pm (Sunday 16 at 7pm)

TICKETS:  $25 in advance / $35 at door / $15 student

$40 opening night includes talk and reception with artists


FEATURING:  Laurie Klatscher, Anna Singer, Tressa Glover, Brandi Welle, Sean Lenhart,
Gail Novak-Mosites, Leah Dyer, Mary Beth Sederberg, Daphne Alderson, Erica Olden, Ray Blackwell and Jilian Marini.


IF YOU WOULD LIKE MORE INFORMATION ABOUT THIS EVENT, OR TO SCHEDULE AN INTERVIEW, PLEASE CONTACT ERICA OLDEN AT 412-580-9267.

Thursday, December 29, 2011

As You Like It Sizzles in the New Year at the O'Reilly Theater

Contact
Margie Romero
Communications Manager at Pittsburgh Public Theater

412.316.8200 ext. 707
mromero@ppt.org



Pittsburgh Public Theater Presents


Gretchen Egolf


As You Like It


The pursuit of happiness is at the heart of Shakespeare’s romantic comedy in this all-new production directed by Ted Pappas.


PITTSBURGH (December 28, 2011) Pittsburgh Public Theater continues its red hot season with a glowing new production of William Shakespeare’s As You Like It, directed by Ted Pappas. As You Like It runs January 19 – February 19, 2012 at the O’Reilly Theater, Pittsburgh Public Theater’s home in the heart of Downtown’s Cultural District. For tickets call 412.316.1600 or visit ppt.org. As You Like It is Presented by PNC.

This romantic comedy features smart, funny and feisty Rosalind, who is one of Shakespeare’s greatest inventions. In this sparkling role, The Public is thrilled to welcome back Gretchen Egolf, who was last seen here as Jacqueline Bouvier Kennedy in the world premiere of The Secret Letters of Jackie and Marilyn. Playing her would-be beau, Orlando, is Christian Conn, who appeared on Broadway in Desire Under the Elms. Making her Public Theater debut as Rosalind’s cousin, Celia, is Julia Coffey.

Returning to Pittsburgh for As You Like It are several accomplished veterans who have performed recently at The Public: Ross Bickell (The Royal Family) as Duke Frederick and Duke Senior; Douglas Harmsen (The Importance of Being Earnest) as Touchstone; Anderson Matthews (Superior Donuts) as Jaques; and Noble Shropshire (Camelot) as Adam/Mar-Text. Also featured are Theo Allyn (Phoebe), David Bielewicz (Jaques De Boys), Alex Coleman (Corin), Don DiGiulio (Dennis), Lisa Ann Goldsmith (Audrey), Daniel Krell (LeBeau and Amiens), Chris Landis (Silvius), Lindsay Smiling (Charles, William and Hymen), and David Whalen (Oliver).

In As You Like It, when Rosalind is banished from the palace, she takes refuge in the Forest of Arden disguised as a boy. There she discovers a world full of colorful characters, all in riotous pursuit of happiness. With original music composed by Michael Moricz, director Ted Pappas has set his production in the Edwardian era, that short golden age at the dawn of the 20th century when social change promised to be the new fashion. Creating this stylish world is the design team: James Noone (Scenic), Gabriel Berry (Costumes), Kirk Bookman (Lighting), and Zach Moore (Sound). Randy Kovitz is the Fight Director, Ruth E. Kramer is the Production Stage Manager, and Fredric H. Orner is the Assistant Stage Manager.


Pittsburgh Public Theater Presents

What: As You Like It

When: January 19 – February 19, 2012

Performance Schedule

Tues. through Sat. at 8 pm (except Tues., Feb. 14 when the show is at 7 pm).

Sat. at 2 pm (except Jan. 28).


There will be an additional 2 pm matinee on Thurs., Feb. 16.

Sun. at 2 & 7 pm.

Press Night is Thursday, Jan. 26.

Opening Night is Friday, Jan. 27.

Ticket Prices



$28 to $60.



$15.75 for students and age 26 and younger with valid ID.



For tickets call 412.316.1600 or visit ppt.org



Friday, October 14, 2011

PICT's Electrifying 2012 Season Announced

Contact: Melissa Hill Grande

Associate Artistic Director & Director of Marketing
412.561.6000 x203
mgrande@picttheatre.org
http://www.picttheatre.org/







Get turned on by PICT’s electrifying 2012 season!



American playwrights, Friel and Chekhov bring five Pittsburgh



premieres – and new lower ticket prices! – to town this season


Pittsburgh, PA – October 12, 2011. Flip the switch and watch the sparks fly as PICT raises the voltage with their hot 2012 season! Pittsburgh audiences will get a charge out of a titillating new play by a leading American female playwright, a true story, an exploration of the comedic facets of a Russian master (and the great Irishman who was inspired by him), and a zany holiday farce! The 2012 season features FIVE Pittsburgh premieres and a U.S. premiere, and runs April through August, with a special December production in time for the holidays. Great stories, well told, and new lower prices (with special recession-busting seating options for all productions) will leave audiences tingling all over and guarantee a happy ending!



PICT plugs into the 2012 season in April with Sarah Ruhl’s In the Next Room or the vibrator play, a smash-hit across the country receiving its first production in the Pittsburgh region. Next up, Pittsburgh audiences will be inspired and delighted by The Pitmen Painters, the Evening Standard Award-winning new play by British playwright Lee Hall (Billy Elliot). The heart of the summer is devoted to celebrating the greatest Russian playwright of all time, Anton Chekhov, as seen through the eyes of two contemporary authors who are geniuses in their own right -- Tom Stoppard and Brian Friel. The festival includes the American premiere of Stoppard’s brilliant new version of Ivanov, and Brian Friel’s stunning newly-revised adaptation of Three Sisters. Irish master Friel’s long fascination with Chekhov is also evidenced in After Chekhov, a special program of featuring The Yalta Game and Afterplay. A second program of shorts, Funny Chekhov, features Chekhov’s early comic vaudevilles. And speaking of comedy, the super-charged season ends on a dazzling note of verbal virtuosity with the December production of David Ives’ absolutely hilarious new adaptation of Moliere’s The Misanthrope, The School for Lies.



This season features new lower prices on single tickets and subscriptions, and a special recession-busting program to make PICT tickets affordable for everyone. Full-priced tickets for premium seats are reduced, and a special program making $25 seats available for ALL PICT performances is being implemented.



PICT starts the season with the most stimulating play in American theatre today, Sarah Ruhl’s In the Next Room or the vibrator play. The play centers on Dr. Givings, a physician who treats “female hysteria” patients with a new electric invention, while in the adjoining room his own wife yearns for what is missing in their marriage. Pulitzer prize finalist Sarah Ruhl’s Tony-nominated hit has generated a buzz of excitement from East Coast to West since its Broadway run in 2009. In the Next Room or the vibrator play runs April 19th through May 5th in the Charity Randall Theatre.



May and June herald the regional premiere of a play that celebrates the very notion of community, Lee Hall’s The Pitmen Painters. Winner of London’s 2009 Olivier Award for Best Play, this true story about an inspiring group of miners touched the hearts of audiences around the world. In 1934, a group of Ashington miners and a dental mechanic hired a professor from Newcastle University to teach an evening Art Appreciation class. Unable to understand each other at first, they embarked on one of the most unusual experiments in British art, as the pitmen learned to become painters. Within a few years the most avant-garde artists became their friends, their work was taken for prestigious collections and they were celebrated throughout the British art world; but every day they worked, as before, down the mine. PICT producing artistic director Andrew Paul helms this Pittsburgh premiere, running May 31st through June 23 in the intimate Henry Heymann Theatre.



PICT amps it up in July and August, continuing its tradition of internationally-recognized festivals with Tragedian in Spite of Himself: A Celebration of the Life and Theatre of Anton Chekhov. In Chekhov’s scenes of provincial life, comic mayhem arises from quarrels over land and money, strategic alliances (usually marriages), and a sense of personal failure that lies, as one character has it, “beyond self ruin”. The festival opens with what is perhaps Chekhov’s best-loved play, Three Sisters, featuring a newly-revised adaptation by beloved Irish playwright Brian Friel. Three Sisters poignantly conveys the struggles, loves and secret desires of Masha, Olga, and Irina and their somewhat ineffectual brother Andrey. Set in a mythological provincial town in late 19th century Russia, we see their lives unfold before our eyes. Three Sisters plays July 19th through August 26th in the Henry Heymann Theatre.



The U.S. premiere of Tom Stoppard’s new English language version of Ivanov blends the comic and the tragic elements of this early work by the great Russian master. A sort of comic Hamlet, Ivanov is overcome with inertia and self-disgust. His wife is dying and he feels nothing. He is drowning in debt and despair, and he does nothing. Is it him? Is it Russia? Ivanov was the twenty-seven-year-old Chekhov’s shot at dispatching the ‘superfluous man’ of Russian literature; in surrounding him with a brilliantly-drawn set of provincial types, he created some of the finest comedy he ever wrote. Ivanov, directed by Andrew Paul, plays August 2nd through 25th in the Charity Randall Theatre.



The Chekhov Festival also features two programs of short plays. After Chekhov features Brian Friel’s The Yalta Game and Afterplay. The Yalta Game is inspired by a theme in Chekhov’s famous short story “The Lady with the Lapdog”. Two strangers meet on holiday and almost manage to convince one another that disappointments are ‘merely the postponement of the complete happiness to come…’ Afterplay is set in 1920’s Moscow in a small, run-down café. Uncle Vanya’s niece Sonya Serebriakova, now in her forties, is the only customer…until the arrival of the Three Sisters’ put-upon brother, Andrey Prozorov. After Chekhov is directed by Alan Stanford, and performs in the Henry Heymann Theatre from August 10th through the 26th. Funny Chekhov runs August 17th through the 25th in the Charity Randall Theatre, and will feature an evening of four short comic plays and vaudevilles by Chekhov.


Absolute truthfulness sounds like a GREAT idea…until it shorts out friendships and creates hilarious friction! PICT brings the circuit full-circle with its final show of the season, The School for Lies. David Ives’ freewheeling adaptation of Moliere’s The Misanthrope brings a disillusioned curmudgeon named Frank into direct conflict with everyone he meets when he vows to tell the truth – no matter how disconcerting or offensive it may be! This being a comedy, however, Frank is diverted from his high-minded path by his love for the beautiful Celimene, a bored aristocrat with a sharp wit – and a sharp tongue – to match his! The play’s virtuosic use of language turns their verbal duel into theatrical fireworks of the highest order. The magnetic Nike Doukas and Leo Marks return to PICT for this holiday treat, directed by Andrew Paul and playing in the Charity Randall Theatre from December 5th through the 22nd.

For more information, phone 412.561.6000.


PICT 2012 Season Fact Sheet

The Charity Randall and Henry Heymann Theatres, Stephen Foster Memorial,

4301 Forbes Avenue, Oakland



In the Next Room or the vibrator play by Sarah Ruhl
A Pittsburgh Premiere
The Charity Randall Theatre
April 19 – May 5


The Pitmen Painters by Lee Hall
A Pittsburgh Premiere
Directed by Andrew S. Paul
Henry Heymann Theatre
May 31 – June 23


Chekhov Celebration
Tragedian in Spite of Himself: A Celebration of the Life and Theatre of Anton Chekhov
July 19 – August 26


Three Sisters, adapted by Brian Friel
Henry Heymann Theatre
July 19 – August 26


Ivanov, new English version by Tom Stoppard
U.S. Premiere
Directed by Andrew S. Paul
The Charity Randall Theatre
August 2 – 25



After Chekhov
Featuring The Yalta Game and Afterplay by Brian Friel
Pittsburgh Premieres
Directed by Alan Stanford
Henry Heymann Theatre
August 10 – 26


Funny Chekhov
Short plays and vaudevilles by Anton Chekhov
The Charity Randall Theatre
August 17 – 25


The School for Lies by David Ives
A free adaptation of Moliere’s The Misanthrope
A Pittsburgh Premiere
Directed by Andrew S. Paul
The Charity Randall Theatre
December 5 – 22


Tickets:

Subscriptions: $252 - $176 (wide range of packages and flex plans available)

Single Tickets: $48 - $25 ($20 youth ticket for under 26)

Call ProArtsTickets at 412.394.3353 or visit online www.picttheatre.org


PICT – Great Stories. Well Told.

Thursday, September 29, 2011

Poet in New York by Pig Iron Theatre Company at the Strayhorn

KST Presents

Pig Iron Theatre Company

Poet in New York

September 30 – October 1 (60 mins)



**October 1 performance is performed in Spanish.


"A stunning performance…the poignancy and humor he can almost simultaneously create make Lorca’s hopes and disillusioned dreams come alive." -- The Herald (Glasgow)


Dito van Reigersberg of Pig Iron Theatre Company pays homage to Spanish poet, playwright and theater director Federico García Lorca in this tour de force one-man play.


Poet takes place in 1929 as a broken-hearted Lorca arrives in New York City to find a whirlwind of Harlem blues, looming skyscrapers, and stock market disasters.


Pig Iron founder Dito van Reigersberg plays nine characters, from a volcanic Salvador Dalí to Harlem blues-singer Victoria Spivey to the ghost of Walt Whitman, in a unique evening of dance-theater that has become one of Pig Iron’s signature works.”


Special Reception & Tickets for Two!


Join us for a special reception following Saturday's performance! An Evening with Pig Iron includes two tickets to the show, cocktails, hors d’oeuvres, and live music. Pig Iron’s Dito van Reigersberg will mingle with guests as flamenco guitarist Jon Banuelos caps off this Spanish night with flamenco singing and dancing.

Tickets for An Evening with Pig Iron are limited,

advance purchase is recommended.

BUY TICKETS



*Saturday's performance is in Spanish.



Show Dates, Times & Tickets

Friday, September 30
8:00 PM

Saturday, October 1
8:00 PM (Performance in Spanish)



Each performance includes a free Pre-Show Mixer.

Friday's performance is followed by a post show discussion.



Advance $20
Door $25

15206 Residents
$15

Students & Artists
$10





Mediante el baile y palabrada hablada, Poeta en Nueva York rinde homenaje al poeta, dramaturgo y director teatral espanol Federico García Lorca, inspirándose en su estancia de nueve meses en Nueva York en 1929.



Unase a nosotros antes del espectáculo en una reunión informal a las 7 pm.



About Pig Iron Theatre Company



Founded in 1995 as an interdisciplinary ensemble, Pig Iron Theatre Company is dedicated to the creation of new and exuberant performance works that defy easy categorization. In the part 14 years the company has created 24 original works and has toured festivals and theatres in England, Scotland, Poland, Lithuania, Brazil, Ireland, Italy, Romania and Germany. In 2006,Pig Iron was named Theatre Company of the Year in the Philadelphia Weekly. The company made Philadelphia its permanent home in 1997; though individual pieces are often developed in residency at other theatres or at universities, Pig Iron premieres new work in their hometown of Philadelphia.


Kelly-Strayhorn Theater, 5941 Penn Avenue

412.363.3000

www.kelly-strayhorn.org



Last of the Line World Premiere at August Wilson Center

August Wilson Center

for African American Culture

Last of the Line

World Premiere
By Samm-Art Williams

Directed by Mark Clayton Southers

@ August Wilson Center



Sept 30, Oct 1, 7, 8, 2011 8 PM

Oct 2, 9, 2011  3 PM

Written by Samm-Art Williams, actor and Tony Award-nominated playwright, the world premiere of Last in the Line bursts with drama and comedy, suspense and candor, laughter and regret, as the descendants of African-American slaveholders and their ancestors take center stage. Told in a stream of consciousness tenor, the play flashbacks from 2005 to the years 1845-75. The story tests loyalties and histories, and forces the modern day characters to examine their own identities, in relation to power, resources and "blood money."


Tickets: $30 / $25 / $20

412.456.6666 or 412.338.8742

Online: www.CulturalDistrict.org



Groups of 10+ Call 412.471.6930



Tuesday, September 6, 2011

Sophocles' ELECTRA at Pittsburgh Public Theater

Contact Margie Romero, Communications Manager at Pittsburgh Public Theater


412.316.8200 ext. 707 or mromero@ppt.org




Pittsburgh Public Theater Presents

Electra

by Sophocles

adapted by Frank McGuinness

The fate of a family is revealed in 90 minutes of theatrical dynamite, directed by Ted Pappas.


Catherine Eaton Plays Electra

PITTSBURGH (September 1, 2011) Pittsburgh Public Theater launches its 37th season with Electra, written by ancient Greek master Sophocles and adapted by Frank McGuinness. After highly successful productions of Medea and Oedipus the King, Greek native Ted Pappas will now direct Electra. It runs September 29 – October 30, 2011 at the O’Reilly Theater, Pittsburgh Public Theater’s home in the heart of Downtown’s Cultural District. For tickets call 412.316.1600 or visit ppt.org. Electra is presented by First Niagara with production sponsors Jim and Electra Agras and Production Underwriters Jim and Kathe Patrinos.

Lisa Harrow/Clytemnestra

Electra brings to life the myths of ancient Greece while it tells a timeless story of one family’s tragedy. As the play begins, Orestes (Michael Simpson), his friend Pylades (David J.M. Bielewicz), and his faithful servant (Edward James Hyland) secretly return to the palace of Mycenae. Years before he had been sent into hiding after the murder of his father, King Agamemnon, by his mother Clytemnestra (Lisa Harrow) and her lover Aegisthus (David Whalen). Despite the passage of time his sister, Electra (Catherine Eaton), can’t get over their father’s death. Their other sister, Chrysothemis (Catherine Gowl), and the women of Mycenae (The Chorus: Glynis Bell, Shinnerrie Jackson, and Amy Landis), tell her to pull herself together. But that’s hard in the presence of her regal mother who proclaims her righteousness. Will fate give Electra her revenge? That answer will not be revealed until the play’s shocking conclusion.

The design team for Electra is James Noone (Scenic), Gabriel Berry (Costumes), Kirk Bookman (Lighting), and Zach Moore (Sound). Ruth E. Kramer is the Production Stage Manager and Fredric H. Orner is the Assistant Stage Manager.

About the Playwright

Sophocles was a leading dramatist during the Athenian Golden Age. Born in 495 BC near Athens, Greece, he was beloved in his day and is remembered more than two millennia later for his great works of tragedy. Sophocles wrote well over 100 plays but only seven have survived intact: Ajax, Antigone, The Women of Trachis, Oedipus the King, Electra, Philoctetes, and Oedipus at Colonus. He is appreciated by modern audiences for his treatment of the individual and the complex issues he addresses. He died peacefully when he was over 90 years old, around 406 BC.

Pittsburgh Public Theater Presents

What: Electra

When: September 29 – October 30, 2011

Performance Schedule

Tues. through Sat. at 8 pm (except Tues., Oct. 25 when the show is at 7 pm).

Sat. at 2 pm (except Oct. 1 & 8).

There will be an additional 2 pm matinee on Thurs., Oct. 27.

Sun. at 2 & 7 pm (except Oct. 30 when the final show is at 2 pm).

Press Night and Opening Night are Thursday, October 6.

Ticket Prices

$28.75 to $60.75.

$15.75 for students and age 26 and younger with valid ID.

For tickets call 412.316.1600 or visit ppt.org





Saturday, August 13, 2011

Red Hot Season for the Public Preview Party

Contact Margie Romero,
Communications Manager at Pittsburgh Public Theater
412.316.8200
412.316.8200 ext. 707
or mromero@ppt.org



Preview Party at The Public

A Happy Hour and Sneak Peek to ignite the Red Hot season

Pittsburgh Public Theater will celebrate its upcoming Red Hot season with a Preview Party on Thursday, August 25 from 6 to 8:30 pm at the O’Reilly Theater in Downtown’s Cultural District.

The doors will open at 6 pm for a happy hour with musical entertainment, munchies, and refreshments (including beer and wine). At 7 pm, Producing Artistic Director Ted Pappas will give an entertaining sneak peek at The Public’s 2011/12 lineup of plays and special events.

In addition, one-night-only discounts will be offered on subscription packages and a raffle will feature valuable prizes, such as season tickets with a year’s worth of pre-show dining ($1000 value), and other great items.

Tickets for the Preview Party at The Public are $10. To purchase, visit the O’Reilly Box Office, call 412.316.1600, or go to ppt.org



Tuesday, June 14, 2011

PICT Delivers Theater Triumph with House & Garden


Media Contact:

Melissa Hill Grande

Associate Artistic Director and Director of Marketing
mgrande@picttheatre.org
412.561.6000 x203

FOR IMMEDIATE RELEASE

PICT produces theatrical event of the 2011 season!

House and Garden is two full-length comedies which are performed at the same time, in two different theatres for two different audiences, but with the SAME CAST!

Pittsburgh, PA – June 9, 2011. Alan Ayckbourn’s comic triumph House & Garden pits actors, directors and crew against the clock! The most clever duo ever written for the stage, House & Garden are two separate comedies that play in the Charity Randall and the Henry Heymann theatres simultaneously…with the SAME CAST! Actors run up and down a backstage stairwell that connects the two theatres, while audience members sit comfortably for two hours in one of the theatres and watch the play which is set in that location.

House is directed by Andrew S. Paul, and Garden is directed by Melissa Hill Grande. The plays can be seen singly, and in no particular order, and play June 23 through July 17. House will be performed in the Charity Randall, and Garden in the Henry Heymann theatre. Lighting design for House is by Christopher Popowich, and lighting design for Garden is by Cindy Limauro. Designing both shows are Gianni Downs (scenic), Jen Sturm and Steve Buechler (costumes), Zach Moore (sound and original music) and Ricardo Vila-Roger (properties).

The plays are both set in the household of Teddy Platt, a wealthy philanderer awaiting a visit from a Tory power-broker who can establish Platt’s political career. Everything that can go wrong on this most important of days is destined to occur, as Platt’s wife refuses to acknowledge his existence, his mistress (and best friend’s wife) becomes increasingly unhinged as he breaks up with her, his daughter is seduced and discarded by the visiting politico, and his head is turned by a glamorous French actress who is the celebrity guest star for the community fete at the bottom of his garden. Further down the social scale, ongoing conflict is coming to a head between the gardener, the housekeeper and her promiscuous daughter, and the couple who’ve come to set up the fete is headed for marital disaster. Boozers and cuckolds, insanity and depravity all come together for one fantastic story told in two hilarious plays. House primarily concerns Teddy’s pursuit of a political career and deteriorating marriage, while Garden primarily concerns the revelation of Teddy and Joanna’s affair to their spouses and children, and preparations for the neighborhood fete.

Martin Giles stars as Teddy Platt, and Helena Ruoti plays his wife Trish. Giles’ PICT credits include Pinter Celebration, What the Butler Saw, Synge Cycle, BeckettFest, Uncle Vanya and The Gigli Concert. Ruoti’s PICT credits include Antony & Cleopatra, Rock ‘n’ Roll, and What the Butler Saw.

PICT 2011 Actor-in-Residence Leo Marks plays the author and politico Gavin Ryng-Mayne. The OBIE award-winning actor was company member in PICT’s extraordinary Pinter Celebration last season, and he has appeared at some of the most respected theatres in the country, including South Coast Repertory, Actors Theater of Louisville, the Old Globe, and Intiman. He is a founding member of New York’s acclaimed Elevator Repair Service.

Beth Hylton and Nike Doukas return to PICT to play respectively Teddy’s jilted mistress Joanna Mace, and a glamorous French film star he becomes enamored of, Lucille Cadeau. Hylton’s credits include productions with Woolly Mammoth, Ford’s Theatre, The Kennedy Center, Delaware Theatre Company, Everyman Theatre, Olney Theater Center, Weston Playhouse, and PlayMakers Rep. Doukas was featured prominently in last season’s Pinter Celebration. She has an MFA from the American Conservatory Theatre and is a regular presence at theatres throughout Southern California including South Coast Rep and The Old Globe in San Diego. House & Garden reunites Hylton and Doukas with Anwen Darcy (Rock ‘n’ Roll) and Mary Rawson (Copenhagen). The four last appeared together in PICT’s 2008 production of Wilde’s An Ideal Husband.

British-born actors Sarah Manton and David Bryan Jackson bring authentic stiff-upper-lip to Ayckbourn’s comedies in their PICT debuts. Manton, a graduate of the Guildford School of Acting, London, plays the feisty young maid Pearl. Her credits include the world premiere of Tom Stoppard’s Coast of Utopia (National Theatre), the role of Baby in the West End production of Dirty Dancing, and the National Theatre production of South Pacific. She was recently seen in the Pittsburgh Public Theatre production of Ayckbourn’s Time of My Life. Jackson plays Giles Mace, Teddy’s best friend and Joanna’s husband. His credits include multiple productions with The Shakespeare Theatre, Folger Theatre, Studio Theatre, and Olney Theatre Center.

The acting company also features Jon Farris, Michael Fuller, Tressa Glover, Allison Scarlet Jaye, and Sean Mellott.

House director Andrew S. Paul is the co-founder and artistic director of PICT. Under his leadership, PICT has produced more than fifty main-stage productions and completed two successful international tours. His directing credits for PICT include the 2009 productions of The History Boys and Rock ‘n’Roll. Other PICT directing credits include Shakespeare’s Hamlet, Henry IV, and Julius Caesar; the world premiere of Thomas Kilroy’s Henry (after Pirandello); and David Hare’s Stuff Happens and Via Dolorosa. In 2008, Paul directed and collaborated with Hare on the non-English language premiere of Stuff Happens at the Slaski Teatr in Katowice, Poland.

Garden director Melissa Hill Grande is the associate artistic director and director of marketing for PICT. Her Pittsburgh-area directing credits include “When the Moon Has Set” in PICT’s acclaimed Synge Cycle, Love’s Labour’s Lost and Much Ado About Nothing for Pittsburgh Shakespeare in the Parks, and multiple productions for Phase 3 Productions. She has also directed in Bricolage’s B.U.S. 6, No Name Players’ SWAN Day 2010 and 2011, Pittsburgh Playwrights Theater Festival in Black and White, and Pittsburgh PRIDE Theater Festival.

House & Garden play simultaneously June 23rd through July 17. House is in the Charity Randall Theatre and Garden is in the Henry Heymann Theatre. Both theatre spaces are located at the Stephen Foster Memorial, 4301 Forbes Avenue on the University of Pittsburgh campus in Oakland. Tickets are $20 to $50 and are available by calling ProArtsTickets at 412.394.3353 or online at www.proartstickets.org.

Free preshow discussions are scheduled for Wednesday June 29th and Thursday June 30th at 7 p.m., and a post-show talk-back with the company is scheduled for Sunday, June 25th following the 2 p.m. matinee performance.

For more information, visit the PICT website at www.picttheatre.org.

The Pittsburgh Irish and Classical Theatre was founded in 1996 to diversify the region’s theatrical offerings by providing Pittsburgh and Western Pennsylvania audiences with high-quality, text-driven, affordable productions of classical theatre and the works of classical and contemporary Irish playwrights and to significantly improve employment opportunities for local talent in all facets of theatrical presentation and production. PICT is a Small Professional Theatre (SPT) affiliated with Actors’ Equity Association, and a constituent member of Theatre Communications Group (TCG) and the Greater Pittsburgh Arts Council. PICT is the Professional Theatre in Residence at the University of Pittsburgh and PICT productions at the Charity Randall and Henry Heymann Theatres are presented in cooperation with the University of Pittsburgh – Department of Theatre Arts.

House & Garden FACT SHEET

House & Garden by Alan Ayckbourn

House directed by Andrew S. Paul, in The Charity Randall Theatre

Garden directed by Melissa Hill Grande, in the Henry Heymann Theatre

Both theatres located in the Stephen Foster Memorial, Oakland

4301 Forbes Avenue, Pittsburgh, PA 15213

Cast:.Anwen Darcy, Nike Doukas, Jon Farris, Michael Fuller, Martin Giles, Tressa Glover, Beth Hylton, David Bryan Jackson, Allison Scarlet Jaye, Sarah Manton, Leo Marks, Sean Mellott, Mary Rawson, and Helena Ruoti.

Design Team: Gianni Downs (scenic design); Christopher Popowich (House lighting design); Cindy Limauro (Garden lighting design); Jen Sturm and Steve Buechler (costume design); Zach Moore (sound design & original music), Ricardo Vila-Roger (properties)

Performance Dates and Times:

First Week:

Thursday -- Friday, June 23 and 24; 8 p.m. previews

Saturday, June 25; 8 p.m. opening night, followed by reception

Sunday, June 26; 2 p.m. matinee, followed by talk-back

Second Week:

Tuesday, June 28th, 7 p.m. performance

Wednesday – Saturday, June 29 – July 2; 8 p.m. performances*

*pre-performance discussion at 7 p.m. on Wednesday and Thursday

Third Week:

Wednesday – Friday, July 6 - 8; 8 p.m. performances

Saturday, July 9; 2 p.m. and 8 p.m. performances

Sunday, July 10, 2 p.m. performance

Fourth Week:

Wednesday – Friday, July 13 – 15, 8 p.m. performances

Saturday, July 16, 2 p.m. and 8 p.m. performances

Saturday, July 17, 2 p.m. closing performance

Ticket Prices:

Fri. and Sat. nights: $50; Seniors $48

Tues., Wed., Thurs. nights, and Sat. & Sun. matinees $46, Seniors $44

Preview Thurs. and Fri.: $40 for all seats

$20 tickets available for youth under 25, with valid ID

Call ProArtsTickets at 412.394.3353 or visit www.picttheatre.org

Pittsburgh Irish & Classical Theatre. Great Stories. Well Told.